Regional Finalists 2024-25

Growing up in Kuala Lumpur, Malaysia, my food education began with family trips to the nearby Da Pai Dang @Taman Midah where we bonded over many traditional dishes from various hawkers. My dish aims to sensibly capture the authentic flavours of my favorite street food and bring harmony to them on a plate through my own reinterpretation using my favourite ingredient that I like to cook with, Pigeon, as the star alongside local ingredients whilst practising sustainable zero waste cooking

My Dish, from a village by Kerala's backwaters, is inspired by where the historic spice route shaped our rich cultural heritage. I aim to BREAK THE SHELLS of outdated mud crab cooking methods, moving beyond traditional curries. I believe every part of the crab can be utilised wisely akin to other types of meat. My signature dish combines my grandmother's traditional flavour with innovative, sustainable twists inspired by my culinary travels in Southeast Asia, highlighting Kerala ingredients.

I sought to blend the flavors of Balinese cuisine with the memories of my roots in Tholen, a small village in the Netherlands, Zeeland province, historically renowned for its mussel culture. Now I am located in Bali, exploring, and tasting those amazing dishes and flavors. In this fusion, I weave together the essence of Bali and Tholen, capturing the essence of two worlds in one dish. It's a tribute to my journey, where the flavors of my past meet the spices of my present.

This dish only uses sustainable ingredients that are locally available in the winter months. When most restaurants are relying on imported produce, local farms are still providing us with root vegetables and apples. On the rocky beaches, the oysters become plump and sweet. I hope to communicate a sense of place and a sense of time, and to show that local eating goes beyond the bounty of the summer months. In the pared-back simplicity of winter there is still beauty and flavour to be found.

“Second Generation” expresses my journey as a second-generation Canadian chef shaped by Caribbean and South American roots. Inspired by memories of cooking beside my mother and grandmother soaking salt cod, cleaning live crab, and preparing sorrel drinks, the dish honours the women who shaped me. Through modern technique and personal storytelling, I want to show how heritage, resilience, and diverse voices can help shape the future of Canadian gastronomy.

I want to pay tribute to our forests and also to our ancestors who lived there using ancestral cooking methods such as crust baking and banique bread. I also want to bring back memories and make you nostalgic with the smell of dead leaves when you go mushroom picking. The mushrooms will also be showcased, as will some of the trees that can be found there. I really want to transport the judges to a forest in the middle of autumn.

I want this dish to express how Mexican cuisine can evolve without losing its soul. Through corn, achiote, and carefully layered sauces, I tell the story of my journey across different countries and kitchens, learning to adapt while staying connected to my roots. The dish reflects transformation, migration, memory, and the dialogue between tradition and contemporary technique, showing that identity can remain strong even when it changes form.

Tikka Masala - a dish that started my culinary journey. It captivated me as a chef's apprentice with its layers of flavor, the first dish I mastered and the one that won my wife's heart, as the first dish I cooked for her. For this competition, I present it in two ways: whole, to enjoy it fully with all flavours present. But alongside it, a deconstructed version with all elements still present and polished, presented to highlight its individual mastery.

This dish is entirely inspired by general and global necessity for #change. Where everyone has to give at least a minimum effort to participate in saving the planet earth. We all know that sustainability and reduced waste is the solution to this current crisis, so I created a dish to be my homage to this food revolution.
Although, I am kind of, opposed to people`s tendency to call dishes vegan burgers, vegan steak etc.
But, I gave a shot to preparing something that looks and tastes like a steak.

Heritage expresses my belief that the future of cuisine is not only about innovation, but also about preserving knowledge. Chicken, a universal ingredient shared across cultures, is the foundation of this dish. A whole chicken is separated, each part transformed through a different technique, and reunited on a single plate. This process reflects the essence of French cuisine: understanding an ingredient, transforming it, and creating unity from diversity.

I have always been fascinated by what grows around me and the techniques different cultures have developed to bring out the best of their terroir. This dish celebrates that curiosity through trout from lac léman and carrots and herbs from our farm. Drawing on techniques learned through my travels across Asia and Europe, and from my grandmother, I use every part of the produce—from peels to carcasses—to reduce waste and create a cuisine that is sustainable, delicate, and harmonious.

Through this dish I wanted to put at the center of the plate a region which is rich with simple products. Sturgeon is not usually valued for its meat but for its caviar, it is not an easy fish to work, but I wanted to put it in the spotlight and use the caviar to season it only , give him back what belongs to him, with respect for the products and the producers.

The dish tries to capture the work philosophy that characterises me in its maximum expression, for this I base it on a traditional stew from Valencia called "All i pebre", always the cuisine of my territory by flag, but drinking from other cultures to enrich the elaborations, in this case with Mexican influence with the mole, the nixtamalisation as an ancestral technique applied to the current cuisine. In short, this dish conveys tradition from a modern perspective of respect for our roots.

My favorite part of my childhood is the sea so that was my main inspira tion for this signature dish.I really want to transmite the ocean to everyone who tries the dish, especially because I'm from Viana do Castelo and we have several tradition related to the sea as getting up early and going to the beach to get seafood from the rocks.I remember the first time I tried a sea urchin, 100% sea.I want everyone to feel that flavour, that memory and get to know better Viana do Castelo by this dish.

The dish idea combines Spain and Italy's linguistic and cultural ties, rich in shared elements I value. I'll merge Spanish stewed tongue with Italian cold tongue, reflecting my veggie passion. Ingredients like salsify, watercress, wild plants, and roots will be preserved, enhancing the dish and fostering a connection with nature.

Through this dish, I want to express a dialogue between tradition and contemporary cuisine. Filindeu represents memory and ritual, while the clarified PGI lamb broth enhances its purity. Juniper-smoked eel with sea fig introduces a wild, marine note, creating a balance between land and water. It is a cuisine rooted in identity that looks to the future through respect for its origins.

I believe as human being that we are very sick. Imagination and language is what did separated humans from animal.
Today peoples are not conscious of who we really are and the consequence is that we create confusion, trends and bad ego is the protagonist in this planet. Today we try to fix this planet by using one word, sustainability.
who really know the significant of that word and who first went to see inside of the most scary place of this world? I think it is better to start from us...

As I see it, the future of cuisine is a return to substance, origins and family traditions, guided by a critical perspective that reinterprets and modernizes techniques while remaining faithful to the purity of the ingredients. This is why I chose to present my Po Delta: a dish in which Comacchio eel meets the corn, garlic and Abate pear that characterize the Ferrara countryside. A land with a strong identity, interpreted through a contemporary lens. A future deeply rooted in the past.

Emerging Forest was born through memories I have of my childhood with my grandparents and the teachings they gave me about the products that nature gives us and which many of these we have forgotten, as well as many gastronomic techniques. That is why I decided to use rabbit, a protein that has been forgotten in our gastronomy. That is why I decided to diversify this protein by giving it many uses and using it 100%, creating awareness for the new generation.

Through this dish, I want to tell the story of Panama as a meeting point of cultures. Inspired by my Chinese heritage, Afro-Caribbean influences, and local traditions, it celebrates the communities that shaped our identity. By making the most of every ingredient and highlighting the value of humble products, I aim to showcase how creativity and respect for raw materials can transform simple elements into something meaningful. Through the use of overlooked ingredients, I hope to convey a message.

Chile, a narrow strip with more than six thousand kilometres of coastline, is in the south of the world. Every dish reflects the uniqueness of a country where water is essential, from the mountains to the sea. The biodiversity is influenced by the Humboldt Current. My dish, ‘Cordillera, Valle y Pacífico’, combines goat cheese from Cajón del Maipo, chascudo, mote and conger eel with mushrooms. Inspired by my childhood and the tradition of my grandparents, I dedicate this dish to Victor and Ana.

Word of umami in Chinese is combined with fish and lamb,so in China we have a famous dish called yuyangxian,using fish and lamb to make soup.To represent this dish and showing the skills i’ve learnt from different style of cuisine(especially French&Italian), i made this dish in 3parts by using local lamb and golden loofah of my hometown Chongming island.Presentation comes from the memory of childhood that my dad bring me to catch fishes in river and have picnic near the place sheeps live.

I express the fusion between two cultures, Chinese and Italian. The dish is composed of childhood memories where every Sunday as a child I cooked with my grandmother "Spaguetti pomodoro", I grew up with the taste of this food and I tell this story with Chinese elements, peppers from the Sichuan region, which I transfer to the tomato sauce. I replace the "grano paste" with bamboo, from southern China. I follow my dish with crostini in it there is osmantus that reminds me of the Chinese spring.

Nature selflessly sustains all things. Cuisine should also be all encompassing – discover China’s local sea habitat and combine different techniques. To realize the borderless-ness and all-encompass-ness of cuisine. Just as the sea is vast and embraces all streams. Three pillars as one. With the ocean, time and the sun as the axis, extending their reach.

Begin with a thousand-layer potato prawn dumpling amuse bouche inspired by the traditional renowned dish Longjing Shrimp. For this dish, Zhoushan prawn, known for its quality comparable to Spanish Carabinero prawn, is paired with white konbu flavoured konbucha and fried moss, and is, unintentionally, a representation of local Chinese culture of enjoying morning tea.
 

Through this dish, I aim to evoke a sense of culinary heritage and connection to Sweden. The lamb symbolizes tradition and sustenance, reflecting the rich history of pastoral cultures. Each bite tells a story of resilience and harmony with nature and culinary craftsmanship. It embodies a cultural identity deeply rooted in reverence for quality ingredients and time-honored cooking techniques.

This dish focuses on solder fish which is one of the largest food sources for many fish species in the ocean. also that is hardly used in our gastronomic. more focused on Nordic ingredients and history with a mix of classic and modern cooking techniques.

Nordic Sea is a dish that focuses on sustainable ingredients. This dish reflects my culinary journey and who I am as a chef today. Combining fishing and cooking is fantastic. Something I often did as a child. Many fish species are now threatened by overfishing and pollution. I focus on cod, blue mussels and seaweed. I use MSC-certified cod from the North Sea. Farmed blue mussels that contribute to a better sea environment and seaweed counteract the negative effects of climate change.

Nalli Nihari is a hearty poor man's dish from Lucknow, India, wherein lamb shanks are slow cooked overnight served with roti bread. This is one of those rare dishes that traveled from the homes of commoners to the royal palaces. Taking this idea, I have presented the dish as a lamb leg wellington, showcasing the journey of the dish similar to my own. Keeping technique and flavour at forefront, I believe this is who I am. The future of cuisine is how tastefully one can embrace their heritage.

Growing up in New Zealand shaped my respect for seafood and the ocean. Inspired by the cultural significance of pāua and the values of stewardship that underpin New Zealand's coastal identity, this dish celebrates lobster and abalone in their fullest expression. Through classical technique and whole-animal utilisation, from sauce Américaine made from the shells to the pāua liver xo. I want to honour both the ingredient and the place that shaped me.

"My Mother's Tze Char" is a tribute to my late mother's dream of feeding the hungry. By transforming humble ingredients into a rich tapestry of flavours and textures, I hope to embody her generosity and commitment to making a difference. Each bite pays homage to memories of home-cooked meals shared with her and celebrates the fusion of my Singaporean, Teo Chew, Hokkien/Cantonese and Australian upbringing. This dish speaks to her belief in the power of food to nourish both body and soul.

Does chicken feet belong in fine dining? I'm from Međimurje, a county in northern Croatia where nothing is wasted, every ingredient has value. Through my girlfriend Candace, I discovered Guyana and Guyanese food embodying the same spirit. Our meals are carb heavy for a reason: our grandparents needed energy to work outside in fields. The connection became ""Poor People's Fine Dining."" My belief is, the value of food is not determined by its cost, but by stories, traditions, and respect behind it.

The story behind this plate starts with a deer and pumpkin. Because I want to take every chance to make my own home grown plants, last spring I planted pumpkin seeds at the edge of the forest, 50 meters from my restaurant. One morning when I walked to my pumpkin field to check up with my ripe pumpkins, I saw that one had a bite taken off. I knew that there has been a deer eating my pumpkins. That is why I decided to connect three main ingredients: Deer, pumpkin and mushrooms. This is my story.

This dish is my culinary signature and a tribute to Slovenia. It features ingredients deeply rooted in our land and the collective memory of our people. Reflecting where I grew up and create today, the plate mirrors my evolution as a chef. My goal is to make modern gastronomy approachable, telling a story that is simple yet complex, boutique yet intriguing. Through the lens of the past, these elements narrate our present and forecast a future where modern dining feels like home to everyone.

The inspiration comes from my experience in Tokyo and the memory of my childhood. I’d like to present a wonderful marriage between the ingredients from mountain and ocean, and I believe humble ingredients could also be the star. I love both French cuisine and Chinese cuisine and I believe all different cuisines have something in common. So I'd like to present some Chinese poaching technique, and the way we make chicken broth. It would be a French contemporary with a Chinese twist.

This dish is all about a recreation of a happy memory growing up and getting a nostalgic feeling. Cooking and food to me is all about a mixture of new discovery and connecting to a different place, a different time, a memory, a feeling. When I was growing up my mother would take me to my nanny's place and she would always be in the kitchen making something. Two standout dishes I remember always helping her with were her Veranicki's which are a Russian perogy and borscht. We would sit for hours chopping vegetables, stuffing veranickis, and spending time together at her table. The recipe for the dough is her fathers recipe and I wanted to do a bit of a modern take on the classic dough and by adding elements of borscht through dill, beetroots, and creme fraiche throughout the dish. The duck parts of the dish are a more recent memory of moving half way around the world to come work in London at The Ritz Hotel. One of the most memorable dish's that we serve at The Ritz is the Duck a la Presse. The theater and level of service makes this more than just a dish, but creates an everlasting memory to anyone who would order it. Even the people around would remember it, it's so special.

The chosen fish for this dish is halibut, a firm fish with an oily texture. I have made a special sauce called fish caramel made from halibut bones with a good amount of sauce and nice creamy cauliflower puree with vanilla, blended until smooth. The lemon gel next to it gives a nice acidity for freshness in the dish. Along side we have New Zealand mussels grilled with butter halibut cheeks tartare with kohlrobi and fried kohlrobi leaves. Simple and tasty to enjoy!

This dish is a walk through the garden — every part of the bird used, every element drawn from the land around it. It is rooted in years spent at The Chef's Garden in Ohio, where I learned that nothing is waste and everything has flavor. The whole bird mirrors the whole plant: nothing discarded, everything transformed. I want the person eating this dish to feel the same wonder I felt walking those rows — that food, at its best, is an act of attention.

Three Shores, One Table tells the story of the cultures that shaped my identity as a chef. Born and raised in Maracay, Venezuela, with Italian heritage and professionally developed in Miami, I use lamb as a thread connecting memory, tradition, and evolution. Through three complementary preparations, the dish explores how different culinary traditions can coexist, creating new expressions while honoring their origins. It reflects who I am today and the chef I aspire to become: one who builds bridges.

Summer in Oregon showcases the region's bounty and the resilience of its people. Inspired by my grandfather's farm, I emphasize patience, resilience, and stewardship through food. Enduring eight months of rain, the community eagerly awaits summer's vibrant arrival. Fresh produce and seafood highlight our connection to the land. My dish blends floral and coastal flavors, sourced locally and ethically, to celebrate and promote environmental preservation. This dish is a snapshot of Oregon's sprit.

When I started to create this dish a lot of people told me not to do it because it contains too much work.
So this explains my stubbornness and love for the work. The sweet potato also became my personal logo.

I want to express that you can make things very complex without a million technics. sometimes a pure product has his own complexities.

This dish represents the Italian immigration in Belgium in the 20th century, for working in the coal mines. My family is from this history. The carbonnade is Belgium, the raviolis is Italy, and the vegetable charcoal the raison of this immigration. I want to cook the pigeon “des Collines”, because it’s an exceptional product but also, it reduces the carbon foothprint instead of using beef.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.