Regional Finalists 2024-25

My Dish, from a village by Kerala's backwaters, is inspired by where the historic spice route shaped our rich cultural heritage. I aim to BREAK THE SHELLS of outdated mud crab cooking methods, moving beyond traditional curries. I believe every part of the crab can be utilised wisely akin to other types of meat. My signature dish combines my grandmother's traditional flavour with innovative, sustainable twists inspired by my culinary travels in Southeast Asia, highlighting Kerala ingredients.

My grandmother is from North Korea. She came down to South Korea during the Korean War. She was a housewife, but also my chef. She cooked a lot of North Korean food. Among them, my favorite was Pheasant dishes. It's a main signature dish that unravels these foods in my own way. My grandmother's cooking for me was a memory and happiness for me. With those memories, I give people happy memories and dishes and my dream is to become a chef. If She was alive, I would like to cook this for her.

In February 2023, just before opening my restaurant, we visited a bee farm in Koh Samui and saw unused beeswax being discarded. Inspired, I created a sustainable dish that minimizes waste. Using locally sourced fish, I perfected a beeswax cooking method for the fillet and transformed every part of the fish into unique components. This plate is a harmonious blend of Thai flavors, Italian influences, and global experiences.

With this dish, I want my diverse immigrant family background and the fact I do not identify with one food culture, to show what can be done with modern ideas and less. I want to improve myself and develop tight portion control, recipe control, “waste” utilisation, and an insane passion for food. I want to demonstrate my vision of fine dining cooking, which is to cook as local, zero waste, and as ethically as I can while still keeping deliciousness. I want to put food into bellies, not bins.

This is the purest form of expression of my journey. This dish will take you through the beginning of my career all the way to the present. It takes inspiration from my grandmother’s impactful love for cooking transmitted to me as a young girl, to the reflection of my culinary career. My development as a chef and the learning of cultures, were turning points of finding my own identity and what has devoted me to this chapter.

Through my dish I am showing my journey throughout my years in the culinary industry. The last few years I have learned many skills that I incorporated into my dish. Such as making pasta, broths and foams as I did on my first station. To butchering fish and making mousses which did after switching sections. With the message that perfection is a lot of little things done well, learning something each day big or small, one day you look back on where you started and what you are doing now.

This dish symbolises the union of Latin American and Bavarian traditions, reflecting my culinary journey. By blending these rich cultures, I create a bridge that unites people through food. It represents my passion for merging vibrant Latin American flavours with hearty Bavarian comforts, celebrating the unique histories and identities of both. This fusion cuisine showcases my belief that food can unite diverse worlds. My philosophy of honouring traditions while creating harmonious experience

My dish should represent the northern Waldviertel and the history of my family. The idea for my signature dish was born in my head from childhood flavours. But I also want to use it to show sustainability and make a statement that you can still cook an interesting style of cuisine using classic techniques.

Seasonality and regionality play a fundamental role for me when creating my dishes. I want to know where my products come from and how I can use the conditions of my environment for my dishes. Products should find their way onto a plate when they are available on the market in the best quality it can offer. The goal should always be to use the full potential of all products. Often, in the simplicity of the products lies the entire art of cooking.

This dish for me represents Irish culture married with classical french techniques,as an Irish chef in France it's something that's very important to me.I break down the elements of the whiskey making process into individual steps, and that utilise those steps to inspire a key ingredient on the plate, all to accompany Irish Beef Tongue."Whiskey loosening the tongue" is an Irish phrase for when we drink whiskey it helps open conversation, I'm playing on that phrase as I braise the beef in whiskey.

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

This dish gives nobility to the sturgeon by placing it at the centre of the plate, with the caviar playing a secondary role as an accompaniment. I love the idea of pairing the fish with the highly prized egg it produces. Born to two young parents, I grew up between Sologne and Provence; by combining the flavours of Douglass, pine kernels and artichokes, as well as remembering the tian my grandmother used to prepare for me and my love of freshwater fish, I'm showing my origins.

The dish idea combines Spain and Italy's linguistic and cultural ties, rich in shared elements I value. I'll merge Spanish stewed tongue with Italian cold tongue, reflecting my veggie passion. Ingredients like salsify, watercress, wild plants, and roots will be preserved, enhancing the dish and fostering a connection with nature.

With this proposal, what I am trying to do is make the most of a product of such quality as hake. Hake is one of the most consumed foods in Spain by the most humble families. In this dish I use all parts of the hake to avoid throwing waste in the trash. The garnishes are also made with cheap products simulating how poor families would make them. The dish has three preparations using a different part of the hake in each of them.

I would like to express the evolution of nuances and flavours that develops in cold-ripened sea bass without humidity. The maturation of pork pieces is a technique widely used in our area, it is carried out in the winter months in order to take advantage of the dry cold. The impediment of having fresh fish available on a daily basis has led us to implement this technique and adapt it in the restaurant to achieve a regularity in quality and a product with a great complexity of flavour and nuances.

The concept of territory is an important thing when I think about creating a dish. I owe a lot to Tuscany, so I chose the Casentino trout. We are talking about a unique specimen bred in Stia, in the province of Arezzo, where "Puccini Trout Farming" allowed me to experience first-hand one of the most interesting products found so far. A fish that struck me so much that I really wanted to pay homage to it in all its facets, using every part of it in the name of sustainability and reducing waste.

My "Ossi di seppia" draws inspiration from Montale's work, where bones, wandering among the waves and seemingly worthless, symbolize a miserable yet significant existential condition. Like the small things in daily life, they conceal intrinsic value and beauty. By using every part of the cuttlefish, even those considered scraps, I aim to showcase their importance and convey the significance of circular cooking to reduce waste and valorise each ingredient.

The dish is the result of a creative process that gives new life to discarded glass fragments, reassembled in a symphony of transparent shapes and colours. The artichoke becomes the protagonist, accompanied by fleshy elements that enhance its intensity without overpowering it, here the meat accompanies the vegetables, not the other way around. A zero-waste vision, this applies to materials as much as to food. The ferrosity of the heart accompanied by the butter mousse complete the artichoke's honesty and freshness.

“Mackerel, plantain and coconut” refers to the day to day life of people living in humble seaside towns in Costa Rica, it highlights the value of these undervalued products and a perspective on a simpler way of living where waste is not an option.In these areas zero waste is not a trend but a viable way to feed an entire family. And instead of seeing it as something that limits it can be a source of inspiration for creating unique preparations and finding ways to enhance their flavour.

As a proud young chef from Mexico, I capture my roots using local ingredients, intertwining cultural traditions with global techniques. Inspired by Oaxaca's rich culinary heritage, my dish showcases our identity, drawing from childhood memories. This creation reflects the vibrant flavors of Oaxaca, honoring our traditions and the essence of my hometown.

Exotic fruits, barks, medicinal plants, and fish were always there, together with his people, the ancestral communities guardians of their cuisine, traditions, ancient techniques.
Today gastronomy is revaluing this legacy of techniques, knowledge of most big amazonian pantry that is constantly evolving.People who live in the cities feel that the Amazon is a distant topic. But that is not the case, we are closer to it because it is a source of carbon and regulator of global climate changes.

This dish is inspired by my journey across China, from Kashgar to Hami in Xinjiang China, where I gathered inspiration from what I saw, heard, and experienced. It incorporates a variety of Xinjiang ingredients and cooking techniques, expressing my love for the region. I used the spice rub from Xinjiang's traditional whole roasted lamb to slow-cook the Xinjiang Altay lamb eye meat over charcoal, resulting in a flavorful dish.

The dish presented by Alchemist restaurant, calling for a reduction in ocean plastic, has inspired me and made me realize that ocean pollution is not far from anyone. I live in Zhuhai, Guangdong Province, a coastal city with abundant seafood resources that is also affected by pollution. Therefore, I hope to use my dishes to raise awareness and urge people to protect the ocean.

Inspired by the first book of traditional Chinese medicine, "Huangdi Neijing," which states that food is food when eaten on an empty stomach, but medicine when consumed by patients, I have chosen medicinal herbs such as Poria cocos, japonica rice, Gastrodia elata, and Phyllanthus emblica as the main ingredients, complemented by traditional handcrafted tea. This has led to the creation of a pure vegetarian dish, embodying the concept of food and medicine sharing the same origin.

Denmark is the number one country of producing meat averaging 334 kg per person per year. However, as Denmark increasingly focuses on green energy and combating climate change, reducing the consumption of mass-produced meat becomes essential to lower the CO2 index. Through my dish I want to contribute to this change and adapt to a more sustainable future.

There are fewer fish in Lillebælt (the sea outside my restaurant) and this is partly due to the environmental problems we have created for ourselves.
Fortunately, we still have lobsters in the sea and we have an elderly fisherman who brings us the best lobsters. So this dish is my way of showing and helping to remember what Lillebælt means to us. The goal is to get everyone to respect the environment and the world's oceans again, otherwise we will destroy some of the most amazing things we have.

This dish represents how we can use different parts of one protein source and combine this with Estonian wine. I am also using lingonberry and moss from Estonia, it is hand picked from the forest near where i work every day.

The story of the dish tells my story with the cuisine. I use a culinary technique from each chef I have worked with, while adding my personal touch that I associate with the products of my native country. Which gives a textured dish, full of color with this full-bodied, powerful, fragrant juice which gives character to the dish. This dish testifies to my love for my profession, the ups, and downs, the sacrifices I have had to make for the sole purpose of living my passion.

Through this dish, I aim to showcase the harmonious blend of traditional Thai flavors with modern culinary techniques. It represents my journey and growth as a chef, guided by experienced mentors. The dish maintains the authentic taste and essence of Thai cuisine while incorporating innovative elements, reflecting a fusion of heritage and contemporary artistry. It tells a story of respect for tradition, creativity, and my passion for bringing a fresh perspective to classic recipes.

In New Zealand we have a large number of introduced pests like wild deer that damage our native flora and fauna. By using wild venison we can create an economy for conservation by giving a financial incentive for the pest control. Hunters can sell the meat and chefs can utilise a delicious clean natural protein in the kitchen. I want to show a way to use the whole animal by ulatising the offal & bones in an approachable way for customers. The more we sell creates more money for conservation.

Today's dish is more than just a meal; it is a plea for sustainability and responsibility. The present we live in is marked by major ecological challenges. Water pollution,food waste,and climate change are just a few of the urgent issues demanding our attention. These are not just statistics; Perhaps the Earth is sending us a message,urging us to return to essentials. Now, more than ever, we need to remember this simplicity and cook with conscience. Come back to our roots. This dish is a manifesto.

Gastronomy and poetry are some of the most beautiful expressions that human beings have developed to communicate. Through creativity and innovation, they contribute to questioning in an ever-renewed way how we use culture, and our ways of perceiving and interpreting reality. I have valued this union through the concept of Haiku, poems of 3 verses that precisely talk about everyday life and nature, in a specific place and time.

‘Aljotta’ is a traditional Maltese tomato-based fish broth soup. My dish comprises of homely traditional flavours, in part with a little twist and in the other a more technical and modern to it. The importance is ultimately the flavour of the original ‘Aljotta’; as to impart my childhood memory of my first fishing boat trip, which also was the first time eating the soup. It is also a small taste of Malta, our history and the deliciousness in the simplicity of our cooking.

“Bringing the beauty of this world to the plate” is the message I would like to convey with this ‘pop art’ style dish.My most memorable encounter with the courgette is that of seeding on a courgette farm. This exercise peaked my interest in where produce comes from, how it’s grown and how to best represent that in a dish.The courgette is simple; yet when used correctly, it can add beauty and freshness to a dish.

Having spent so much time designing courses through local and expensive ingredients, I decided to go back to what I grew up eating. Born in South Africa and raised in the UK, a staple of our family meals was South African and this dish is inspired by the spice of the curry. The soft custard and fruits provide textures and softness through out.

I want to showcase everything I have learnt as a chef so far. I think doing a classical dish like this is unique and modern. It really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come as a chef.

I would like to show my background in culinary arts by showcasing what I’ve learned and experienced in my time in this industry. Showcasing new American cuisine that celebrates all cultures and techniques.

By celebrating the products and cuisine of the Chesapeake Bay I hope to generate interest in its preservation. Oysters in particular are an iconic Chesapeake Bay species that have been decimated, like many other native populations, by habitat loss, poor water quality and harvest pressure. The modern Chesapeake pantry must reflect current sustainable harvests and farmed oysters exemplify this expectation. Chesapeake chefs must adopt this pantry to maintain the watershed's rich culinary tradition.

Summer in Oregon showcases the region's bounty and the resilience of its people. Inspired by my grandfather's farm, I emphasize patience, resilience, and stewardship through food. Enduring eight months of rain, the community eagerly awaits summer's vibrant arrival. Fresh produce and seafood highlight our connection to the land. My dish blends floral and coastal flavors, sourced locally and ethically, to celebrate and promote environmental preservation. This dish is a snapshot of Oregon's sprit.

Through this vegetable dish, the idea is to show that a simple product can become a complex and flavorful dish on its own. You can get a range of different flavors and textures through lacto, cooking, or the combination of products.

The first message this dish gets across is a bit of a surprise to most people who taste it as even a simple lettuce plant, if well prepared, can become the tastiest dish on the menu. historically it has no specification, but another important message this dish gets across is definitely that of using all parts of a product, from a to z, from the cooking liquid that becomes a vinaigrette to the daikon waste that becomes kimchi.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.