Regional Finalists 2024-25

Nowadays, Bali is facing a massive shift in landscape and lifestyle due to mass tourism. My biggest concern is the future of our children. What is our legacy? What is my responsibility as a chef for future generations? I want to take my part in preserving our Balinese heritage, our ingredients, our local farmers, our skills, and show that mixing tradition and modernity is possible. This is why I called my dish " Go Local or Go Home ".

My grandmother is from North Korea. She came down to South Korea during the Korean War. She was a housewife, but also my chef. She cooked a lot of North Korean food. Among them, my favorite was Pheasant dishes. It's a main signature dish that unravels these foods in my own way. My grandmother's cooking for me was a memory and happiness for me. With those memories, I give people happy memories and dishes and my dream is to become a chef. If She was alive, I would like to cook this for her.

This dish is made using a "priced" protein in our ASEAN culture. It is not something we get to enjoy much of as it was expensive as well. Many farms and villagers I have visited prior to the opening of restaurant Province have hardly enjoyed a prestiges protein as duck. However, when enjoyed it is truly for a special occasion, be it a birthday, wedding or a personal achievement for the families. This dish helps to tell the story of how the different cultures come together as one in a dish.

In the kitchen, we throw away the unloved and unsaleable offal of lamb. Stunned by this vision of non-valuation, I wanted to honor it. I drew inspiration from the wild northern Canadian landscape that became my home 9 years ago, and from the terroir of my native southwest France, which brings back warm memories. With my dish, I want to enhance the value of this country-style cuisine, with a modern twist that's both technically raw and delicate, to give offal back its nobility.

This is the purest form of expression of my journey. This dish will take you through the beginning of my career all the way to the present. It takes inspiration from my grandmother’s impactful love for cooking transmitted to me as a young girl, to the reflection of my culinary career. My development as a chef and the learning of cultures, were turning points of finding my own identity and what has devoted me to this chapter.

The Shepherd offers his healthiest lambs, either for feasts or as a sacrificial meal every year by monotheists alike, in suit of Abraham's sacrifice to god. It is tradition to use a healthy lamb that is at least a year old. I wanted to honour this abiding tradition by encompassing the subtle yet rich flavours of the animal, complimented with locally foraged seasonal vegetables. This is an exploration of a harmonious dance of textures, temperatures, and flavours.

My dish should represent the northern Waldviertel and the history of my family. The idea for my signature dish was born in my head from childhood flavours. But I also want to use it to show sustainability and make a statement that you can still cook an interesting style of cuisine using classic techniques.

With my dish I would like to express my passion for dance. Swan Lake is a Russian ballet set to the music of Tchaikovsky. I want to combine Russian cuisine with Russian ballet. At the same time, I want to infuse the mostly male-dominated Michelin-starred cuisine with femininity and lightness. Contrasts such as the light and dark of the white swans and the black swan compete with each other, both visually and in terms of taste.

This dish represents me: german born i lived in Irleand for 10 years. North Sea Cod: Pan-seared to perfection, symbolizing my childhood fishing expeditions in northern Germany. Oyster: Representing Ireland, adorned with colors inspired by the Irish flag (green, white, and orange). Potato Salad with Beurre Blanc: Reflects my time in Hamburg and the elegance of Carls Restaurant. Mashed Peas: A nod to my Irish experience, complementing the traditional fish and chips.

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

This dish tells my story, expressing my passion for mushrooms with a skewer of mushrooms, laced with their broth and miso. The other central element is the mushroom broth, present in almost every preparation. As a homage to France, I chose: onion soup with toasted bread for a no-waste policy. The casoncelli, representing my roots, are stuffed with broth scraps, juniper-smoked ricotta and Parmesan. The final broth, when drank, cleanses the palate.

My dish resembles how climate change has affected the planet, both land and sea in the Mediterranean Regions. It’s a pescatarian dish, a combination of the French culture where I live now and the culture of Cyprus where I come from. We, as the new generation of chefs must enlighten ourselves and teach people wisely through our cooking how climate change has affected us, the nature and all the species of the planet and how to start respecting nature and her resources.

With this dish I seek to change the focus generated by some products and turn it into something more personal. Using parts of not so common products and plating them in tableware designed and handcrafted by myself.

The dish represents my whole essence as a cook and as a person. It evokes my Italian-Granadian roots. It is a journey through the 5 senses that reflects my culinary maturity learned so far. At the same time, it aims to show diners the values that represent my cuisine. Love for the profession, respect for the raw material and sustainability with the environment.

From head to toe. That's what came to my mind when I decided that my dish should be mainly pork. Pork is a product that shows us that everything can be used and that nothing should be wasted. At the same time, most pork-based preparations require long cooking times and the patience that goes with it. For me, making the most of time and time are the indisputable pillars of any kitchen, and that is where this dish I am presenting has come from.

I chose baby goat, because in addition to liking it a lot, it was the first animal I cooked in my first work experience, we used to stew it with potatoes without any knowledge of the various cuts of meat, it was cut into pieces and cooked in a pot. With this dish I would like to encourage many young people like me who come from experiences like mine, that with study and perseverance you discover other ways of presenting a cut or an animal in general.

The dish is the result of a creative process that gives new life to discarded glass fragments, reassembled in a symphony of transparent shapes and colours. The artichoke becomes the protagonist, accompanied by fleshy elements that enhance its intensity without overpowering it, here the meat accompanies the vegetables, not the other way around. A zero-waste vision, this applies to materials as much as to food. The ferrosity of the heart accompanied by the butter mousse complete the artichoke's honesty and freshness.

Growing up in the province of Bergamo with my grandmothers, who were born and raised during the war, they always had the philosophy ‘ the butcher throws nothing away of an animal’. A thought that made me reflect on how many different ways there are to make full use of all that a raw material can offer us. This is why I chose to use a rabbit in its entirety and develop the dish starting with the use of a few kilos of carrots, thus managing to have no waste.

Exotic fruits, barks, medicinal plants, and fish were always there, together with his people, the ancestral communities guardians of their cuisine, traditions, ancient techniques.
Today gastronomy is revaluing this legacy of techniques, knowledge of most big amazonian pantry that is constantly evolving.People who live in the cities feel that the Amazon is a distant topic. But that is not the case, we are closer to it because it is a source of carbon and regulator of global climate changes.

The hen is the base of one of our emblematic typical dishes: the sancocho, a soup that is eaten at any time and on any occasion, it is cooked in firewood causing the soup to have smoky notes. It was with this idea that this dish was born, as I was curious about how to use the little parts of it, such as the neck, how the food ferments inside the gizzard and how through the use of one hundred per cent of the ingredients.

I am a proud member of the new generation, who challenge social norms and show our capabilities. Raised with a deep respect for ingredients, I aspire to grow and learn every day. Hungry to make my mark professionally, my goal is to proudly represent my country's rich culinary heritage. Through my dishes I seek to evoke the flavors of the Chilean sea, emphasizing sustainability and respect for ingredients. It is time for the new generations to break the glass.

As a native of Nanjing, I have always held a belief that "no duck can leave Nanjing alive." From a young age, I may have had a certain obsession with eating duck. For this competition, the dish is based on Nanjing Saltwater Duck, using the Fujian Egret Duck, no part of the duck is wasted; Food is the foundation of life, and since ancient times, the path of cooking has always been about inheritance. Like an old tree with intertwined roots and lush branches, only by inheriting and being brave enough to innovate can new buds continue to sprout. This is akin to the theme "Old Tree, New Sprouts."

I express the fusion between two cultures, Chinese and Italian. The dish is composed of childhood memories where every Sunday as a child I cooked with my grandmother "Spaguetti pomodoro", I grew up with the taste of this food and I tell this story with Chinese elements, peppers from the Sichuan region, which I transfer to the tomato sauce. I replace the "grano paste" with bamboo, from southern China. I follow my dish with crostini in it there is osmantus that reminds me of the Chinese spring.

In Chinese culture, there is an old saying, "Eat what is in season," which means that the right time creates flavors, and if missed, one must wait patiently. Watching the ingredients in the liquid or the proliferation of fungi during the making of rice koji, I have been struck by the unique flavors these processes bring to food, reminding me of the preciousness of life. As a chef, I believe it is my duty to cherish this gift of life brought by time, allowing it to continue in a different form. I believe that this gift should not be used solely for profit, but should be shared with everyone, allowing them to experience its charm.

Denmark is the number one country of producing meat averaging 334 kg per person per year. However, as Denmark increasingly focuses on green energy and combating climate change, reducing the consumption of mass-produced meat becomes essential to lower the CO2 index. Through my dish I want to contribute to this change and adapt to a more sustainable future.

Fish and seafood is close to my heart and this is why I chose this as main components. Blue shelled mussels filter our waters and removes nitrogen and phosphorus, which prevents eutrophication and algae concentrations. Mussels doesn’t need any backing or dung. Mine are sourced from the Swedish west coast, by Janne Bark's mussel farms outside Ljungskile. I’ve also chosen to work with Swedish cod, locally and sustainably sourced.

This dish represents how we can use different parts of one protein source and combine this with Estonian wine. I am also using lingonberry and moss from Estonia, it is hand picked from the forest near where i work every day.

My goal with this dish is to demonstrate my culinary heritage, trying to showcase corn as the main ingredient. Corn is much more than a simple food in Latin America and trying to exalt it from my cuisine is the best way to enhance my background. On the other hand I want to show the great potential Australia has in terms of ingredients. So, with this dish I have decided to make one of the traditional Colombian dishes mixed it up with Australian ingredients.

The story of the dish tells my story with the cuisine. I use a culinary technique from each chef I have worked with, while adding my personal touch that I associate with the products of my native country. Which gives a textured dish, full of color with this full-bodied, powerful, fragrant juice which gives character to the dish. This dish testifies to my love for my profession, the ups, and downs, the sacrifices I have had to make for the sole purpose of living my passion.

Through this dish, I aim to express the elegance and complexity of Australian gourmet cuisine. The combination of duck, plums, and Australian black truffles showcases the country's rich agricultural diversity and culinary potential. The dish pays homage to my grandfather's farm and Australia's ability to produce high-quality, luxury ingredients and its growing reputation in the global gourmet scene.

My dish celebrates the tradition and sustainability of the Vipava Valley. Jota made from Turnip Tropinka, served in aluminum dishes, carries the flavors and memories of the harvest. The humble Turnip Tropinka symbolizes simplicity and homeliness. Accompanying it is the skin sausage Krotegin, bread made from grape seed flour, and smoked grape seed oil. The dish blends traditional and modern techniques. Each bite evokes memories of family, vineyards, and values, connecting the past with the future

The Pig's Alms is a sacred ritual deeply rooted in our country's folklore and tradition, people have forgotten about what it means, it is supposed to be about honoring and showing gratitude toward the animal that has given his life for us to survive. I would like with this dish to bring attention to this lost respect towards nature and what it offers us.The dish's flavours represent my cultural gastronomic heritage and origins, the taste of my home,of my childhood and my memories.

As a young Israeli chef, I believe deeply in the principles of zero waste and seasonal cuisine. These beliefs not only guide my culinary work but also reflect my commitment to sharing and respecting the natural world. My dish, "Pumpkin, Spice & Everything Nice", is a testament to these values,  combining tradition, innovation and responsible cooking.

I designed this dish as a homage to my wife and the restaurant we dream of opening which will fuse our two cultures together, NZ and SA, in a fine dining setting. I wanted to pay tribute to the lineage of bakers in my family by serving this dish with a bread, 1/2 Rewena, 1/2 Mosbollejtie, baked together to become one. I chose venison as it reminds me of fond childhood memories of hunting with my family, it's filled with a farce rolled in a South African boerewors spice to further weave our story.

Through a desire to seek out and understand culture outside of my own, I have been able discover so much about myself and the food I want to create. I am inspired by the flavours/methods of the world, and I want to use what I have discovered by cooking delicious food without boundaries. Ode to Sam Yee is an homage to my partner who has shared her culture with me. This dish combines Chinese flavours with my classically trained French cooking methods. This is about creating new traditions.

“Bringing the beauty of this world to the plate” is the message I would like to convey with this ‘pop art’ style dish.My most memorable encounter with the courgette is that of seeding on a courgette farm. This exercise peaked my interest in where produce comes from, how it’s grown and how to best represent that in a dish.The courgette is simple; yet when used correctly, it can add beauty and freshness to a dish.

I have always been inspired by the way my family in Greece and Italy embrace food, especially coastal fare. In my professional career I have learned so much more about traditional French and Japanese technique, and through this dish, I have found an all encompassing way to convey my passion for food.

Summer in Oregon showcases the region's bounty and the resilience of its people. Inspired by my grandfather's farm, I emphasize patience, resilience, and stewardship through food. Enduring eight months of rain, the community eagerly awaits summer's vibrant arrival. Fresh produce and seafood highlight our connection to the land. My dish blends floral and coastal flavors, sourced locally and ethically, to celebrate and promote environmental preservation. This dish is a snapshot of Oregon's sprit.

My childhood was based on different gastronomic backgrounds about sharing with family and friends around food, they know me as a seafood lover. The translation of “Plebe bichi” is “naked boy”, from the slang of the northwest coast of Mexico, referring to me as a little boy and how I came to the world (naked), and how all this journey that we call life starts giving you an identity. I adapted my grandma’s east-style tamal recipe to a northwest Mexican tamal from my mom's hometown as a gratitude.

Through this vegetable dish, the idea is to show that a simple product can become a complex and flavorful dish on its own. You can get a range of different flavors and textures through lacto, cooking, or the combination of products.

My dish embodies simplicity, honesty, and refinement with three core ingredients: mackerel, dulse, and shiitake. Inspired by my parents' bakery, where simplicity was prized, I aimed to create a refined meal with minimalism at its core. Sustainability was crucial; I sourced locally from Belgium, minimizing the food supply chain and using all by-products to reduce waste. This dish reflects both my culinary ethos and dedication to sustainable practices.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.