Regional Finalists 2024-25

I sought to blend the flavors of Balinese cuisine with the memories of my roots in Tholen, a small village in the Netherlands, Zeeland province, historically renowned for its mussel culture. Now I am located in Bali, exploring, and tasting those amazing dishes and flavors. In this fusion, I weave together the essence of Bali and Tholen, capturing the essence of two worlds in one dish. It's a tribute to my journey, where the flavors of my past meet the spices of my present.

I want to present my Cantonese cuisine background. I have four years experience at various traditional Chinese restaurants. Dim sum and traditional Chinese food are central to my identity. I aim to showcase Chinese cooking and beautiful local dried seadfood by reconstructing classic dishes into fine dining plates. Lastly, I want to convey that culinary boundaries are blurring as techniques are shared globally. We can learn from other cuisines to achieve higher culinary excellence.

Through this dish, I want to convey the wonderful ingredients and food culture of Japan.
We also thought about garnishing the dish with shiso leaves and myoga, which are commonly used in Japan, and adding the aroma of sea bream skin chips and grilled green onions so that the dish would not become boring in terms of texture and flavor.
We also believe that the soup's consistency can be made easier to mix with rice and sea bream by using rice starch or by adding a little density to the soup.

"Aai's Fish Thali" is my tribute to the coastal food traditions of Maharashtra and the women who preserve them through generations. By elevating familiar flavors such as amti, sol kadhi, wada, kokum, and seafood into a contemporary fine-dining expression, I celebrate heritage, memory, and sustainability. The dish reflects my identity as an Indian chef while showing how traditional knowledge can inspire the future of gastronomy.

This dish is an homage to my personal culinary journey. Being of Chinese Filipino decent, this dish is a culmination of the influence other countries have had on Filipino cuisine. I want to use this opportunity to showcase a beautiful bird sourced locally from Ontario,while flaunting a contemporary version of a classic dish replacing the pork. I’d like to think of myself like this Sinigang dish, a pinnacle of different influences and techniques I've learned from the different Chefs in my career.

Through this dish, I want to express the journey of myself building a life and career in Canada. The flavour inspired by my memories of Thai dishes I grew up with, while I replace the ingredients reflect the season and product I work with around me today. I believe it’s a reflection of adaptation, identity and of course stay connected to where I came from. Thai memories, Canadian Season, and the journey in between.

My dish should represent the northern Waldviertel and the history of my family. The idea for my signature dish was born in my head from childhood flavours. But I also want to use it to show sustainability and make a statement that you can still cook an interesting style of cuisine using classic techniques.

Born in Germany and raised between Mount Olympus and the Aegean, this dish moves between two worlds. It carries the salt, wild herbs and sea air of Pieria, beneath the mountain once said to feed the gods, shaped by myth, memory and the light of Northern Greece. Guided by the precision and restraint of Swabia, it reflects my belief that identity, tradition and memory can be carried forward through a more contemporary expression.

Tikka Masala - a dish that started my culinary journey. It captivated me as a chef's apprentice with its layers of flavor, the first dish I mastered and the one that won my wife's heart, as the first dish I cooked for her. For this competition, I present it in two ways: whole, to enjoy it fully with all flavours present. But alongside it, a deconstructed version with all elements still present and polished, presented to highlight its individual mastery.

This dish revisits a childhood memory and puts vegetables centre stage. Cabbage becomes the main ingredient, while smoked pork belly serves only as a touch of seasoning and nostalgia. With a deeply flavoured, entirely plant-based jus, it champions a more responsible cuisine that questions our meat consumption without sacrificing indulgence or emotion. It also shows that simple, accessible ingredients can create a memorable experience.

My dish associates two opposed universe: the "meaty" one from the Chateauneuf farm beef and the iodized one from the cuttlefish and the herring eggs
These three product prepared in their entirety will along the preparation and then degustation respond and feature them self. They will reveal their complexity and the deepness of their taste but still with a strong readability.
A key quest to the essential in the idea that “less it’s more” in this special social and environmental context.

This dish tells my story, expressing my passion for mushrooms with a skewer of mushrooms, laced with their broth and miso. The other central element is the mushroom broth, present in almost every preparation. As a homage to France, I chose: onion soup with toasted bread for a no-waste policy. The casoncelli, representing my roots, are stuffed with broth scraps, juniper-smoked ricotta and Parmesan. The final broth, when drank, cleanses the palate.

My dream as a chef is nothing more than to be able to take my island to the highest level of gastronomy, being happy along the way. I have expressed it in this dish, using figs, lactose and corn, which is what the pigeon feeds on during its life, making 100% use of it and accompanying it with the three most typical plants of the island, which are fennel, rosemary and salicornia. With this dish I want to show that with a few simple ingredients and your own roots you can achieve a dish of great quality.

I chose this dish because it tells the beginning of a journey—both a personal one and a real one. It starts with the prawn ravioli, the first recipe I discovered when I joined AS: a single bite that captures the full flavour of the prawn in a liquid ravioli. It continues with the chawanmushi and tableware inspired by our trip to Taiwan, and ends with Japan and Thailand, celebrating the simplicity of raw ingredients and their countless teas.

The origin of the techniques and flavours of this dish come from the city where my surname comes from, from an emblematic family who to this day represent historical flavours and maintain their roots, and above all from the great use that this region has made for centuries of the natural resources of its geography, such as rivers and countryside, where they ate from their own vegetable garden. This is a tribute to them.

I wanted to find a point that connects my cooking with the place where I learn and found my passion for it, mostly french, japanese and italian. I am naturally curious, and I love to create association with anything, connecting ingredients that are not supposed to belong together is magic to me. I love the contrast of sea - earth dish, swimming into the sea is like a reset button for me, I have a big love for it. I’m completely linked with the earth, I’m grateful for every product that I have the chance to work with.

With this dish, I would like to express the concept that the replacement of animal protein with vegetable protein, allows the dish to have an equal taste, thus reducing the environmental impact, being also environmentally friendly. I hope, in this way, to succeed in approaching all food intolerances and pathologies that do not always allow the guest to feel free and involved in the free and varied choice of multiple dishes.

The memory of an emotion lives on in this dish. It takes me back in time, to when my mom used to prepare it in our family restaurant. At the same time it allows me to look ahead, in search of new paths linked to my ideas of sustainability with little waste. Questioning memories to create my interpretation, in full respect of raw materials. The dish talks about who created it, where it started from and what it wants to tell.

This dish is rooted in my Colombian heritage. The three-meat sancocho evokes Caribbean tradition, communal gatherings and flavors shared around the fire. The corn envuelto pays tribute to Indigenous ancestral heritage and to corn as a symbol of resilience and abundance. A traditional coastal ferment accompanies the rib, bringing out local flavors. The dish embodies a dialogue between the Caribbean and the Andes.

This dish is rooted in my heritage and in a tradition that forms part of my identity. The years I spent in Italy reconnected me with my childhood, pasta, the countryside and traditional butchering gatherings. Through the cappellaccio, puchero consommé and fermentation, in this case, broad bean miso, I seek to bring memory and contemporary expression together. After travelling the world, I came to understand that Argentina is often associated only with meat. I therefore want to showcase the richness of our thousands of kilometres of coastline and the potential of Patagonia through Argentine robalo, caught using artisanal methods suited to its behavior in the South Atlantic.

The chinampas is an efficient and sustainable agricultural system, it is an articulated set of artificial floating islands that were built since pre-Hispanic times. Through this dish, which has been inspired by this ecosystem, using only ingredients that are grown or can be found in this place, applying techniques and preparations of Mexican gastronomy, I seek to highlight the importance of chinampas, the organic products that are grown there and also recognize the hard work of the producer.

China is a country with vast territory and abundant resources, and each region has its own special ingredients. This dish uses the loin of Tan sheep originally from Ningxia, which like to lick salt in the Gobi Desert.

Pickled with Sichuan pepper and spices for oil seal, with yunnan spring and summer wild bacteria made of wild cheese, fermented corn is more delicious, sweet and delicious, showing the style of Chinese wilderness.

The whole dish is like a tan sheep from the Gobi Desert, placed in the Yunnan mountains rich in wild bacteria. Corn plays the role of pastoral scarecrow, paired with western dishes and mints and herbs associated with Yunnan's native eatery habits.
 

For me, the meat of the turbot fish is tender and not fishy, and it often appears on every household's dining table. The common cooking methods include steaming, braising, pan-frying, and more. Although it is a very common fish, I want to try to create a unique experience based on my own understanding. Furthermore, it seems that the concept of "numbing and spicy" is not widely known internationally. I hope to introduce the concept and let more people understand the charm of Chinese cuisine and the unique flavors it offers

The idea of the dish is from my hometown, Xinjiang, which is famous for its tasty lamb. The sheep live in the mountains where the sea-buckthorn and pleurotus grow. To bring the scenery of my hometown, I put them together in the plate. Besides, I also want to introduce the diet and cooking culture to more people in the world. We hardly waste any part of an animal as a respect of the nature, and cook each part separately to make the best use of it. Thrift and sustainability are notably important in this age, I wish I could arouse more attention on them.

Less waste – more taste. My dish is based on an idea that I want to throw away less. Everything is utilized to its’ maximum: even herb stalks or stale bread. With a dash of creativity and practical knowledge we can lessen the burden of the never-ending food waste problem. My palate philosophy is built on natural impressions and simplicity. Therefore the balanced character of my dishes means there is no overshadowing of the natural flavours and beauty of the ingredients.

Inspired by the warm flavours of a traditional Bulgarian clay pot feast, this dish is rooted in the memories and traditions that raised me. Preserved ingredients, walnuts, peppers, and the spirit of the family table stand at its core, while Dutch quail takes its place as the centrepiece. By combining the flavours of my childhood with influences gathered along my journey, it feels both familiar and unexpected. It honours my heritage, showing how food can carry memory forward.

We are taught that sacrifice is the only way to perfection, that the expense of people is a normal part of being a chef. That the best produce is from the other part of the world and that waste is an exception for fine dining. I believe that sustainability contains so much more than just local vegetables. Its also about leadership, a good working environment and treating ourselves with respect. Respect the people, respect the produce, respect the process. Respect the world.

The main purpose of this dish is to change the misconception that exists in some beef offal's, in this case "sweetbread", considered an exquisite treat in my country, Argentina, however not so pleasant in other cultures. Through childhood flavors I aim to encourage people to experience something different by creating a beautiful dish with colors that pique curiosity to try. And encourage sustainability by utilizing part of the cow that are often considered waste as sweetbread and tendons.

"My Mother's Tze Char" is a tribute to my late mother's dream of feeding the hungry. By transforming humble ingredients into a rich tapestry of flavours and textures, I hope to embody her generosity and commitment to making a difference. Each bite pays homage to memories of home-cooked meals shared with her and celebrates the fusion of my Singaporean, Teo Chew, Hokkien/Cantonese and Australian upbringing. This dish speaks to her belief in the power of food to nourish both body and soul.

Driven by the understanding that we are the kaitiaki of rivers and oceans, this plate challenges how we care for our resources. It confronts past mistakes like the devastating overfishing of whitebait, which was once used as common garden fertiliser. Jackson has chosen to use abundant Australian ingredients to recreate childhood memories responsibly. This dish utilises zero-waste techniques to blend childhood playfulness with a commitment to ecological preservation.

Serbia is land of contrasts. Its people know hardship, difficult soil, and scarity - but they also know pride. From struggle comes something almost irrational: Uncoditional Hospitality. When guests arrive, poverty disappears. Everything is placed on the table, and family gathers around it. And there is always Šopska salad. This dish has long surpassed the form of salad. It is prose about people, hardship, and defiance. The salad is no longer left in the corner. Now, it stands in front of you.

Through this dish, I would like to express my Hungarian roots and the culinary identity of my region, Eger. The suckling Mangalica pig represents tradition, heritage, and respect for local ingredients, while cabbage reflects the simplicity and resilience of Hungarian cuisine. My goal is to present these humble elements through a modern fine dining perspective, combining history, emotion, and contemporary technique on one plate.

Where I come from, self-sufficiency was a lifestyle. This dish bridges that peasant heritage with modern gastronomy, showcasing a sustainable model for the future of cuisine. Almost every ingredient comes from a rural grandmother's garden, or was hand-foraged by me from nearby woods. By practicing true sustainability through wild harvesting and traditional preservation, we find innovation in our roots. No exclusive restaurant can outshine the warmth of a grandmother’s kitchen.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

English Rose is my ode to London and the opportunities hospitality creates. Growing up in a difficult household, cooking became my path to purpose and success. Inspired by the English rose, I transform humble butternut squash into something elegant, showing how overlooked things can flourish when given opportunity. Kept vegan to celebrate its natural flavour, with seaweed providing natural salinity, this dish reflects how hospitality can help anyone rise above difficult beginnings.

This dish reflects my years discovering the UK’s terroir and the people behind it. Learning from farmers and artisans I met, Graeme’s fishing methods and Monika’s work with Mangalitsa pork showed me real respect for sea and land, while Ben’s plate made from refurbished wood revealed the region's sustainable craft. Working with local producers taught me connection and purpose. This plate honours their work and the journey, from the people to the plate.

Summer in Oregon showcases the region's bounty and the resilience of its people. Inspired by my grandfather's farm, I emphasize patience, resilience, and stewardship through food. Enduring eight months of rain, the community eagerly awaits summer's vibrant arrival. Fresh produce and seafood highlight our connection to the land. My dish blends floral and coastal flavors, sourced locally and ethically, to celebrate and promote environmental preservation. This dish is a snapshot of Oregon's sprit.

For me, this dish embodies my journey as a chef and pays homage to my Appalachian heritage. Being raised in North Carolina, pork is our primary livestock. And these ingredients grow locally in the mountain town where I grew up. For me, bringing refined French techniques that I struggled to learn, to Rustic Appalachian cuisine showcases a new perspective on my home and my community. Highlighting the beautiful flavors of the ingredients and delivering me back to my Nana's house for Sunday supper

I have always been inspired by the way my family in Greece and Italy embrace food, especially coastal fare. In my professional career I have learned so much more about traditional French and Japanese technique, and through this dish, I have found an all encompassing way to convey my passion for food.

I am a chef inspired by memory, roots and the stories behind every ingredient. The flavors of this dish shaped my childhood and remind me of my grandmother, who taught me that food is a language of love. The turkey represents migration: native to Latin America, it crossed borders and found a place in other cultures without losing its essence. Whether classic or modern, there is only one kind of cuisine: good cuisine. Looking to the future, I want cuisine to be seen as a language that brings people together.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.

This dish tells the story of my journey through Switzerland. It brings together ingredients from Zurich, the city where I live today, and Ticino, where I grew up. Watching herbs grow taught me to respect nature. Quail and Farina Bóna, on the other hand, taught me the value of local products and the importance of making use of every part of an ingredient. Through the reuse of by-products and leftovers, I enjoyed creating new flavour combinations and discovering new possibilities of taste.