Regional Finalists 2024-25

My Dish, from a village by Kerala's backwaters, is inspired by where the historic spice route shaped our rich cultural heritage. I aim to BREAK THE SHELLS of outdated mud crab cooking methods, moving beyond traditional curries. I believe every part of the crab can be utilised wisely akin to other types of meat. My signature dish combines my grandmother's traditional flavour with innovative, sustainable twists inspired by my culinary travels in Southeast Asia, highlighting Kerala ingredients.

"Miso-marinated" Omi beef and "heshiko," aged fish, have a history of hundreds of years in my hometown. I added the traditional French "hollandaise sauce" and "cherries condiment" to create a new dish. The cherries harmonize the traditional cuisine of both countries. However, if climate change continues, cherries will no longer be available in the future. This shows that while historic dishes can evolve, there is a future where foods may no longer exist.

My grandmother is from North Korea. She came down to South Korea during the Korean War. She was a housewife, but also my chef. She cooked a lot of North Korean food. Among them, my favorite was Pheasant dishes. It's a main signature dish that unravels these foods in my own way. My grandmother's cooking for me was a memory and happiness for me. With those memories, I give people happy memories and dishes and my dream is to become a chef. If She was alive, I would like to cook this for her.

This dish reflects my life and experiences—a blend of French culinary skill and comforting home flavors from Canada as a multicultural nation. Montreal's Chinatown was my sanctuary, sparking my fascination with diverse culinary traditions, inspiring me still today. Cooking, for me, is love and passion, rooted in respect—using every part of ingredients, minimizing waste, letting flavors shine. Join my journey as a French-Canadian chef celebrating diverse influences shaping my culinary identity.

With this dish, I want my diverse immigrant family background and the fact I do not identify with one food culture, to show what can be done with modern ideas and less. I want to improve myself and develop tight portion control, recipe control, “waste” utilisation, and an insane passion for food. I want to demonstrate my vision of fine dining cooking, which is to cook as local, zero waste, and as ethically as I can while still keeping deliciousness. I want to put food into bellies, not bins.

The Shepherd offers his healthiest lambs, either for feasts or as a sacrificial meal every year by monotheists alike, in suit of Abraham's sacrifice to god. It is tradition to use a healthy lamb that is at least a year old. I wanted to honour this abiding tradition by encompassing the subtle yet rich flavours of the animal, complimented with locally foraged seasonal vegetables. This is an exploration of a harmonious dance of textures, temperatures, and flavours.

My dish is intended to showcase the colourful diversity and wonderful flavours of my homeland. The idea of my dish is based on my experiences and the various inspirations of my career. I want to put my homeland and our great produce centre stage.

This dish represents me: german born i lived in Irleand for 10 years. North Sea Cod: Pan-seared to perfection, symbolizing my childhood fishing expeditions in northern Germany. Oyster: Representing Ireland, adorned with colors inspired by the Irish flag (green, white, and orange). Potato Salad with Beurre Blanc: Reflects my time in Hamburg and the elegance of Carls Restaurant. Mashed Peas: A nod to my Irish experience, complementing the traditional fish and chips.

This dish symbolises the union of Latin American and Bavarian traditions, reflecting my culinary journey. By blending these rich cultures, I create a bridge that unites people through food. It represents my passion for merging vibrant Latin American flavours with hearty Bavarian comforts, celebrating the unique histories and identities of both. This fusion cuisine showcases my belief that food can unite diverse worlds. My philosophy of honouring traditions while creating harmonious experience

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

This dish for me represents Irish culture married with classical french techniques,as an Irish chef in France it's something that's very important to me.I break down the elements of the whiskey making process into individual steps, and that utilise those steps to inspire a key ingredient on the plate, all to accompany Irish Beef Tongue."Whiskey loosening the tongue" is an Irish phrase for when we drink whiskey it helps open conversation, I'm playing on that phrase as I braise the beef in whiskey.

This dish gives nobility to the sturgeon by placing it at the centre of the plate, with the caviar playing a secondary role as an accompaniment. I love the idea of pairing the fish with the highly prized egg it produces. Born to two young parents, I grew up between Sologne and Provence; by combining the flavours of Douglass, pine kernels and artichokes, as well as remembering the tian my grandmother used to prepare for me and my love of freshwater fish, I'm showing my origins.

From head to toe. That's what came to my mind when I decided that my dish should be mainly pork. Pork is a product that shows us that everything can be used and that nothing should be wasted. At the same time, most pork-based preparations require long cooking times and the patience that goes with it. For me, making the most of time and time are the indisputable pillars of any kitchen, and that is where this dish I am presenting has come from.

I would like to express the evolution of nuances and flavours that develops in cold-ripened sea bass without humidity. The maturation of pork pieces is a technique widely used in our area, it is carried out in the winter months in order to take advantage of the dry cold. The impediment of having fresh fish available on a daily basis has led us to implement this technique and adapt it in the restaurant to achieve a regularity in quality and a product with a great complexity of flavour and nuances.

With this signature dish I intend to elevate the octopus to its maximum using all parts of it, without any waste. The place where I work, in Tavira, octopus is one of the great treasures that exists, and I intend to make it shine!

My "Ossi di seppia" draws inspiration from Montale's work, where bones, wandering among the waves and seemingly worthless, symbolize a miserable yet significant existential condition. Like the small things in daily life, they conceal intrinsic value and beauty. By using every part of the cuttlefish, even those considered scraps, I aim to showcase their importance and convey the significance of circular cooking to reduce waste and valorise each ingredient.

My journey starts with sweetbread, a beloved traditional dish from my homeland, often used in my professional experience. The “in carpione” pumpkin is prepared like Lake Garda fish. The langoustine is leveraged in its entirety, as the head is filled by an orangette and sided by a coconut milk-based drink that enhances its minerality. I designed this 3D-printed compostable set, which evokes the sweetbread with its texture, to raise the commensal’s awareness on the consuming of raw material.

I chose baby goat, because in addition to liking it a lot, it was the first animal I cooked in my first work experience, we used to stew it with potatoes without any knowledge of the various cuts of meat, it was cut into pieces and cooked in a pot. With this dish I would like to encourage many young people like me who come from experiences like mine, that with study and perseverance you discover other ways of presenting a cut or an animal in general.

“Mackerel, plantain and coconut” refers to the day to day life of people living in humble seaside towns in Costa Rica, it highlights the value of these undervalued products and a perspective on a simpler way of living where waste is not an option.In these areas zero waste is not a trend but a viable way to feed an entire family. And instead of seeing it as something that limits it can be a source of inspiration for creating unique preparations and finding ways to enhance their flavour.

This is an expression of love, honour, affection, subtlety, wisdom, passion and, of course, legacy.
The dish reminds me of my childhood, when at harvest time, mum and dad used to take me and my siblings to harvest the corn cob, remove the amero (corn husk), shuck it and grind it to make envueltos. These wraps had curd in them and we used to accompany them with sweaty fish called catfish and our beautiful Colombian sauce, hogao (sofrito).

In my childhood, my grandparents used to have Sunday family lunches and the dish I remember the most is the tongue in sauce, served with onion and coconut sauce. In my village we always accompanied the main course with bananas, even soups. That's why my interpretation was inspired by these Sundays with the family. I believe in local products and tradition, raising the level of the products of my village with modern techniques without losing the traditional flavour.

This dish represents my fond memories and deep affection for the Jiangnan region.The fresh bamboo shoots on the mountains in spring, lotus leaves covers the ponds in summer, golden fields in autumn, and the aroma of cured meats in every courtyard in winter. These are my cherished memories, and I want to share this warmth and beauty through my food.

The dish presented by Alchemist restaurant, calling for a reduction in ocean plastic, has inspired me and made me realize that ocean pollution is not far from anyone. I live in Zhuhai, Guangdong Province, a coastal city with abundant seafood resources that is also affected by pollution. Therefore, I hope to use my dishes to raise awareness and urge people to protect the ocean.

This dish is inspired by my journey across China, from Kashgar to Hami in Xinjiang China, where I gathered inspiration from what I saw, heard, and experienced. It incorporates a variety of Xinjiang ingredients and cooking techniques, expressing my love for the region. I used the spice rub from Xinjiang's traditional whole roasted lamb to slow-cook the Xinjiang Altay lamb eye meat over charcoal, resulting in a flavorful dish.

Nordic Sea is a dish that focuses on sustainable ingredients. This dish reflects my culinary journey and who I am as a chef today. Combining fishing and cooking is fantastic. Something I often did as a child. Many fish species are now threatened by overfishing and pollution. I focus on cod, blue mussels and seaweed. I use MSC-certified cod from the North Sea. Farmed blue mussels that contribute to a better sea environment and seaweed counteract the negative effects of climate change.

Through this dish, I aim to evoke a sense of culinary heritage and connection to Sweden. The lamb symbolizes tradition and sustenance, reflecting the rich history of pastoral cultures. Each bite tells a story of resilience and harmony with nature and culinary craftsmanship. It embodies a cultural identity deeply rooted in reverence for quality ingredients and time-honored cooking techniques.

Coming from an island, I strived to do products from there, representing the producers I grew up with. This dish combines products from different social rank (mackerel-langoustine). Some are my background, modest countryside, some are my present ‘palace cuisine’. Married together, proves that there is no rules. Everything can be good. There is no straightforward path — that embodies my life. It is also the style of cuisine I aim to go to: not having anything fixed or pre-decided.

My goal with this dish is to demonstrate my culinary heritage, trying to showcase corn as the main ingredient. Corn is much more than a simple food in Latin America and trying to exalt it from my cuisine is the best way to enhance my background. On the other hand I want to show the great potential Australia has in terms of ingredients. So, with this dish I have decided to make one of the traditional Colombian dishes mixed it up with Australian ingredients.

I am pleased to present a new dish that highlights some of the extraordinary ingredient we are fortunate to have in Australia, ingredients that many people may not even be aware of. This culinary creation features various cuts of lamb, each prepared using distinct techniques that enhance their unique flavours and textures. My inspiration for this dish stems from my childhood growing up on my grandfathers farm in rural Queensland.

My dish is based on my culinary journey: I am Indian by birth and I moved to New Zealand when I was 18 and I've been working in Tamaki Makaurau for the last 10 years, surrounded by the ocean. I want to showcase the best of seafood found in the country and also merge it with my Indian heritage in a subtle way by using dried fenugreek leaves with some of the main ingredients found in a lot of Indian food.

My dish is a tribute to the culinary traditions of eastern Poland. I sourced the sturgeon and caviar from the renowned Antonius brand in a neighboring village. The inspiration for the Masurian floral lace in my recipe comes from my grandmother, a talented embroiderer. My dish also features ferments, deeply rooted in Polish tradition. Accompanying beverage is enjoyed in my home on hot days. I aim to showcase the best of Polish cuisine: good products, respect for tradition, and an open-mindedness.

The story behind this plate starts with a deer and pumpkin. Because I want to take every chance to make my own home grown plants, last spring I planted pumpkin seeds at the edge of the forest, 50 meters from my restaurant. One morning when I walked to my pumpkin field to check up with my ripe pumpkins, I saw that one had a bite taken off. I knew that there has been a deer eating my pumpkins. That is why I decided to connect three main ingredients: Deer, pumpkin and mushrooms. This is my story.

The Pig's Alms is a sacred ritual deeply rooted in our country's folklore and tradition, people have forgotten about what it means, it is supposed to be about honoring and showing gratitude toward the animal that has given his life for us to survive. I would like with this dish to bring attention to this lost respect towards nature and what it offers us.The dish's flavours represent my cultural gastronomic heritage and origins, the taste of my home,of my childhood and my memories.

Through a desire to seek out and understand culture outside of my own, I have been able discover so much about myself and the food I want to create. I am inspired by the flavours/methods of the world, and I want to use what I have discovered by cooking delicious food without boundaries. Ode to Sam Yee is an homage to my partner who has shared her culture with me. This dish combines Chinese flavours with my classically trained French cooking methods. This is about creating new traditions.

As a Korean chef in London, this dish reflects my identity. In this diverse city, culinary boundaries dissolve, blending local UK ingredients with staples from my homeland. Signature ingredients like kimchi, Korean miso paste, Jeju bracken, and Makgeolli create a fusion that's both familiar and innovative. This dish also showcases the seafood expertise I've developed as a fish chef. From precise techniques to selected marinades, every element shows my dedication and passion for seafood cuisine.

I want to showcase everything I have learnt as a chef so far. I think doing a classical dish like this is unique and modern. It really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come as a chef.

Summer in Oregon showcases the region's bounty and the resilience of its people. Inspired by my grandfather's farm, I emphasize patience, resilience, and stewardship through food. Enduring eight months of rain, the community eagerly awaits summer's vibrant arrival. Fresh produce and seafood highlight our connection to the land. My dish blends floral and coastal flavors, sourced locally and ethically, to celebrate and promote environmental preservation. This dish is a snapshot of Oregon's sprit.

I would like to show my background in culinary arts by showcasing what I’ve learned and experienced in my time in this industry. Showcasing new American cuisine that celebrates all cultures and techniques.

Growing up in Chile, I’ve always appreciated the sea. With over 6,000 kilometers of coastline, Chile introduced me to the power of fresh fish and seaweed. Working in fine-dining restaurants in Paris and New York, I’ve learned that the fish industry also leaves an abundance of food waste. With this dish, I am using almost every element of my favorite fish: the Shima-aji. I’d like to inspire people to begin a new relationship with food to appreciate all that a fish has to offer.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.

The first message this dish gets across is a bit of a surprise to most people who taste it as even a simple lettuce plant, if well prepared, can become the tastiest dish on the menu. historically it has no specification, but another important message this dish gets across is definitely that of using all parts of a product, from a to z, from the cooking liquid that becomes a vinaigrette to the daikon waste that becomes kimchi.

This dish represents a combination of my view, love and upbringing with food. being thought french cuisine and working with locale produce, loving the purity of japanse food and having roots in indonesia. I strive for balance in flavours and combining the east with the west in unexpected ways. I like to think outside the box with produce without losing the story behind the dish.