Regional Finalists 2022-23

Malaysia, Taiwan, and Singapore are the places influenced me the most. Through this dish, starting from the broth, it's like starting a new journey into the unknown, mist yet exciting; followed by the snack, when you walk into the wood somehow can see delicate food prepared by the nature; and last is the main, you enter the heart of the wood and much more things to explore, which just like our culinary journey. I want to set new trend that how different backgrounds can create interesting story.

I deconstructed Korean traditional dish 'Sinsello'.I tried to improve the limitations of traditional cooking methods by introducing modern techniques based on my experience working in different countries. I made this dish by composing it with the three elements of Korean traditional meal soup, rice, and banchan, side dishes. In addition, in consideration of sustainability, all ingredients are used for cooking so that no ingredients are thrown away after cooking is finished, ‘0 waste cooking’.

This dish began with my love of lamb, and the hope to highlight my Hainanese heritage. Lamb has been a staple of the Hainanese diet (i.e. Dong Shan Lamb) and through this menu, it would be featured alongside ingredients and techniques that link the East with the West.
Taking inspiration from the Spice Route, also known as the Maritime Silk Roads, I have utilised spices such as cumin, fennel, Sze Chuan peppercorns and ginger, all of which were known and used in antiquity and traded in Asia.

Through my dish I am showing my journey throughout my years in the culinary industry. The last few years I have learned many skills that I incorporated into my dish. Such as making pasta, broths and foams as I did on my first station. To butchering fish and making mousses which did after switching sections. With the message that perfection is a lot of little things done well, learning something each day big or small, one day you look back on where you started and what you are doing now.

Growing up in a multicultural household in Canada exposed me to diverse cuisines, fostering a deep appreciation for Canada's melting pot of cultures. My dish draws inspiration from my favourite childhood dishes, Cantonese braised pork and abalone, and Vietnamese Banh Mi, combined with my time spent in some of Canada's top restaurants, I crafted a dish merging Chinese, European, and Vietnamese flavours. I believe that this fusion embodies Canada's cultural richness on a plate.

This dish is an homage to my mother and the time we spent in Italy together. I wanted to showcase a variety of ingredients and techniques that reminded me of Italy as well as things that she would enjoy. She is such an important part of my life and when she took me to italy, I feel like it transformed myself as person as well as the things I was passionate about. My dish is completely vegetarian because I believe in a more veg-forward lifestyle which is more sustainable for the environment.

This dish symbolises the union of Latin American and Bavarian traditions, reflecting my culinary journey. By blending these rich cultures, I create a bridge that unites people through food. It represents my passion for merging vibrant Latin American flavours with hearty Bavarian comforts, celebrating the unique histories and identities of both. This fusion cuisine showcases my belief that food can unite diverse worlds. My philosophy of honouring traditions while creating harmonious experience

With this dish I want to show my love for the italian country, people, language and its cousine. And of course all the delicious ingredients. So I took the ingredients of my favorite dish "pasta e patate" and made a variant as main plate, another variante as a satellite plate and last but not least the original "pasta e patate". Classics will never be old.

In this dish I want to give a stage to an ingredient that I think is underestimated (the horse) and represent it as much as possible. I take the food of the horse, the so-called soft food and complement with it parts of the animal to present the whole. I want this animal to be culinary understood from beginning to end.

This dish tells my story, expressing my passion for mushrooms with a skewer of mushrooms, laced with their broth and miso. The other central element is the mushroom broth, present in almost every preparation. As a homage to France, I chose: onion soup with toasted bread for a no-waste policy. The casoncelli, representing my roots, are stuffed with broth scraps, juniper-smoked ricotta and Parmesan. The final broth, when drank, cleanses the palate.

My dish resembles how climate change has affected the planet, both land and sea in the Mediterranean Regions. It’s a pescatarian dish, a combination of the French culture where I live now and the culture of Cyprus where I come from. We, as the new generation of chefs must enlighten ourselves and teach people wisely through our cooking how climate change has affected us, the nature and all the species of the planet and how to start respecting nature and her resources.

‘Quanto sei bella Roma’ is a tribute to my hometown, Rome. The title comes from a famous song about this city that for me is the most beautiful in the world. I left Rome about 10 years ago to grow personally and professionally, but my heart will always belong to it and I am happy to represent it with a dish in such an important competition. It is a traditional recipe that my grandmother used to prepare for me (Coda alla vaccinara) and which I propose in my own way, gastronomically speaking.

The dish tries to capture the work philosophy that characterises me in its maximum expression, for this I base it on a traditional stew from Valencia called "All i pebre", always the cuisine of my territory by flag, but drinking from other cultures to enrich the elaborations, in this case with Mexican influence with the mole, the nixtamalisation as an ancestral technique applied to the current cuisine. In short, this dish conveys tradition from a modern perspective of respect for our roots.

I would like to express the evolution of nuances and flavours that develops in cold-ripened sea bass without humidity. The maturation of pork pieces is a technique widely used in our area, it is carried out in the winter months in order to take advantage of the dry cold. The impediment of having fresh fish available on a daily basis has led us to implement this technique and adapt it in the restaurant to achieve a regularity in quality and a product with a great complexity of flavour and nuances.

The dish idea combines Spain and Italy's linguistic and cultural ties, rich in shared elements I value. I'll merge Spanish stewed tongue with Italian cold tongue, reflecting my veggie passion. Ingredients like salsify, watercress, wild plants, and roots will be preserved, enhancing the dish and fostering a connection with nature.

This is a vegetarian reinterpretation of a very famous and loved dish of my territory which is beef in oil.
I believe that vegetables should be increasingly included in the menus of our restaurants to try to make people understand that vegetables can also be prepared in a tasty and particular way, and it will certainly be, in my opinion, the future of nutrition.
I would like the vegetable to become the protagonist with this dish as if it were a piece of meat.

My journey starts with sweetbread, a beloved traditional dish from my homeland, often used in my professional experience. The “in carpione” pumpkin is prepared like Lake Garda fish. The langoustine is leveraged in its entirety, as the head is filled by an orangette and sided by a coconut milk-based drink that enhances its minerality. I designed this 3D-printed compostable set, which evokes the sweetbread with its texture, to raise the commensal’s awareness on the consuming of raw material.

The dish is the result of a creative process that gives new life to discarded glass fragments, reassembled in a symphony of transparent shapes and colours. The artichoke becomes the protagonist, accompanied by fleshy elements that enhance its intensity without overpowering it, here the meat accompanies the vegetables, not the other way around. A zero-waste vision, this applies to materials as much as to food. The ferrosity of the heart accompanied by the butter mousse complete the artichoke's honesty and freshness.

Emerging Forest was born through memories I have of my childhood with my grandparents and the teachings they gave me about the products that nature gives us and which many of these we have forgotten, as well as many gastronomic techniques. That is why I decided to use rabbit, a protein that has been forgotten in our gastronomy. That is why I decided to diversify this protein by giving it many uses and using it 100%, creating awareness for the new generation.

This dish represents the diversity from Brazil, using ingredients that match each other and create a comfort space, just like a forest. In the plate is served culture, tradition, and influences from my Italian family. Putting my heart and belifs into a plate.

“Mackerel, plantain and coconut” refers to the day to day life of people living in humble seaside towns in Costa Rica, it highlights the value of these undervalued products and a perspective on a simpler way of living where waste is not an option.In these areas zero waste is not a trend but a viable way to feed an entire family. And instead of seeing it as something that limits it can be a source of inspiration for creating unique preparations and finding ways to enhance their flavour.

Nature is almighty, and ecological systems require balance, this symbiosis the only way to survive, so I had the inspiration to use “Coexistence” as my theme.

This inspiration stemmed from the traditional Chinese character “Xian” (meaning freshness, which is made up of the Chinese character for “fish” and the Chinese character for “lamb” ).
I use a commonly found but not ordinary big head carp fish head from the freezing regions of the Northeast. Due to the cold weather, the big head carp is fatty and has a wonderful texture. The fish head is the best part and rich in collagen, it is the soul of the produce. This I combined with the delicacy of the grasslands, the tender lamb, and the traditional fried snack “You Dun Zi”; onion crisp, caviar, asparagus lettuce, and powdered dill adds texture and flavor.
Where it matters, ingredients that reflect their geographical and natural habitat are used and through my understanding, creativity, innovation and using each ingredients to its fullest.

 

The dish presented by Alchemist restaurant, calling for a reduction in ocean plastic, has inspired me and made me realize that ocean pollution is not far from anyone. I live in Zhuhai, Guangdong Province, a coastal city with abundant seafood resources that is also affected by pollution. Therefore, I hope to use my dishes to raise awareness and urge people to protect the ocean.

This dish stemmed from my memory of my hometown. It started with chicken from Hetian Town and that relates to local farms and the whole ecological system. From there, it casts a light onto the Chinese farming and rural society culture.

Poultry is an important element in the dining culture for this city tucked away in the mountains. These Hetian chickens have a wild temperament and were used for imperial chicken fights in the ancient times. The farmers live in the mountains and the chickens roam around freely in the pristine environment feeding on wheat and rice grown on the farm. From my memory, these chickens are capable enough to scale trees and even rooftops.
 

Nordic Sea is a dish that focuses on sustainable ingredients. This dish reflects my culinary journey and who I am as a chef today. Combining fishing and cooking is fantastic. Something I often did as a child. Many fish species are now threatened by overfishing and pollution. I focus on cod, blue mussels and seaweed. I use MSC-certified cod from the North Sea. Farmed blue mussels that contribute to a better sea environment and seaweed counteract the negative effects of climate change.

Over 800 million people around the world go to bed hungry each night. At the same time, one third of all the food that is produced for human consumption is wasted, and obesity is one of the western world’s most pressing health issues.

Hunger is one of modern civilization’s great paradoxes, since it is a problem that already has a solution. The cure for hunger is called food – and we already produce too much of it.

 

We are a modern Spanish restaurant and this dish is my interpretation of the gamba al ajillo.

Traditionally, the prawns are often fried, but that is at the expense of the prawns. I think it's important that everything of a product is used. No unnecessary waste. In our version we use the whole shrimp.

This dish has everything I like. Crustaceans are my favorite product. Acids from the lemon and crispy from the kaitafi.

Through this dish, I aim to express the elegance and complexity of Australian gourmet cuisine. The combination of duck, plums, and Australian black truffles showcases the country's rich agricultural diversity and culinary potential. The dish pays homage to my grandfather's farm and Australia's ability to produce high-quality, luxury ingredients and its growing reputation in the global gourmet scene.

It’s been three years, that I have seen my family due to the pandemic, three years since I've been to my ancestral home in ‘Aurangabad’, a city with a high Muslim population. The very place where I truly appreciated the true diversity of my cuisine and culture.
This dish is an amalgamation of my childhood, my roots and the vision I have to see my cuisine on the global stage amidst all its diverse and colorful glory. Where people do not just tag it as a “curry cuisine” but see it for what it is

The story of the dish tells my story with the cuisine. I use a culinary technique from each chef I have worked with, while adding my personal touch that I associate with the products of my native country. Which gives a textured dish, full of color with this full-bodied, powerful, fragrant juice which gives character to the dish. This dish testifies to my love for my profession, the ups, and downs, the sacrifices I have had to make for the sole purpose of living my passion.

My dish is my interpretation to the classic Borscht. I took my mother’s recipe and disassembled it and combined it with the local ingredients and flavor’s. The dish itself served on plates that passed in my family in inheritance.
My goal was to make a dish that combines two cultures, memories from my childhood and also has minimum waste. I tried to use all the parts of all the ingredients.

Working in Mano2, the initiative behind micro seasonality, zero waste and preserving food and flavor through various fermentation techniques began the concept behind this dish. The inspiration behind the story comes from the fall season in continental Croatia where there is a rich abundance of various mushrooms, wild herbs and vegetables. We have showcased them using techniques seen in Mano2 which have preserved and fully expressed its soul purpose while also using the ingredients as a whole.

I would like to present my version of the most popular dinner in Poland, which is why I called it Sunday dinner at grandma's. When creating Dania, I was guided by Polish and regional traditions. I want to show that our wonderful home cooking, served in a competitive manner, can be very interesting and tasty. When i working in the kitchen, I follow the zero waste principle, which is why my plate includes elements such as potato skin or the inside of a cucumber, and my plates contain meat skin.

This is the dish that I first wrote down 4 years ago when I was planning to do my first ever pop up, which unfortunatelly for one reason on another I never got round to do. Now revisiting it with different techniques that I've learned along the way I'd hope to be able to present to you a well balanced and complete plate. I chose the flovours of celeriac and apple becuase I think the combination is delicious. I'd like to express how delicious vegetables can be.

The message I'm trying to express through my dish is that although its been said that crabs and lobsters are becoming more unsustainable due to fishing nets. I believe we can change this through designated areas of non-fishing , which will ensure crabs and lobsters become more sustainable. Crabs have been around for millions of years and its only know, due to their popularity and over fishing that we face declining numbers.

I want to showcase everything i have learnt as a chef so far. I think doing a classical dish like this is unique and modern and really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come.

The pairings of squid & date and oyster tofu & bone expresses a yearning for a unified Korea. My father's family was forced from their home north of the 38th parallel to escape invading communist forces during the war. They arrived in the southern port city of Busan as strangers in their own land. This dish aims to harmonize the flavors of our ancestral home in the north of Korea with the textures and ingredients of the south in efforts to to tell our family's story and chart our migration.

I would like to show my background in culinary arts by showcasing what I’ve learned and experienced in my time in this industry. Showcasing new American cuisine that celebrates all cultures and techniques.

This dish represents my love for classic techniques and exploring new flavors while minimizing waste and creating a unique dining experience. I fell in love with Country Ham while living in Charleston, but we never had a good use for all the scraps. Substituting the Country Ham scraps for the more classic dried shrimp or scallops creates a slightly smokier XO that bridges Chinese cuisine and the American South, which is important to me- bridging gaps between cultures through food.

With this first course I wanted to create a link between land and sea, revisiting a typical preparation of my country, the porchetta. I am a lover of the sea and I wanted to make a preparation that combines the two in a modern way. Combining these also with pasta, it can never be missing in an Italian lunch. Tradition and innovation come together respecting the raw material.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.

This dish represents the Italian immigration in Belgium in the 20th century, for working in the coal mines. My family is from this history. The carbonnade is Belgium, the raviolis is Italy, and the vegetable charcoal the raison of this immigration. I want to cook the pigeon “des Collines”, because it’s an exceptional product but also, it reduces the carbon foothprint instead of using beef.