Regional Finalists 2022-23

When I began cooking about 15 years ago, my mother was ill. I prepared a meal for her, and she shed tears for the first time. In that moment I realized food I make can bring happiness and emotion, and I decided to become a chef. I believe food has great power. Cooking can be tedious, but imagining someone enjoying my dish turns it into joy. A sincere meal comforts tired days and becomes a lasting memory.I cook each plate with heart,hoping it brings happiness and warmth,and makes the world warmer

Growing up in Kuala Lumpur, Malaysia, my food education began with family trips to the nearby Da Pai Dang @Taman Midah where we bonded over many traditional dishes from various hawkers. My dish aims to sensibly capture the authentic flavours of my favorite street food and bring harmony to them on a plate through my own reinterpretation using my favourite ingredient that I like to cook with, Pigeon, as the star alongside local ingredients whilst practising sustainable zero waste cooking

I consider that the food with genuine sentiments is the most delicious, but at the same time, the most challenging to make— the cuisine that tells a story. Through my cuisines, I want to share with people the story weaved by my experience of travelling, precious memories and the island have nurtured me and raised me up – Taiwan. I wish my guests, by eating the warm delicacies, can be moved and realize that their days can also be pleasant and heart-warming.

This plate is a representation of my core believes as a Chef, cooking with nostalgia, locally raised ingredients that are of great quality and treating them with care. The locally sourced rabbits is paired with carrots, Hen of the wood mushrooms, Swiss chard- all grown in and around the city, this is probably what the rabbit ate for dinner! The whole animal is used in the dish giving it all the respect it deserves and a true display of what food systems in the industry.

This dish is an ode to a traditional Québécois meal: the rotisserie chicken. Traditionally, the chicken is served with gravy, a side of creamy or traditional vinegary coleslaw, french fries, and a pain brioche.

A fragment of Quebec’s culinary culture, the history of the rotisserie chicken is also that of French Canadians. But it is also the story of my father, Abdelaziz, who was exposed to ceaseless systemic racism in the labour market and driven, by the ensuing precarity, to deliver the infamous “chef’s special” through long nights. I chose this dish in honour of the Québécois culture, but by choosing the silky chicken, a breed of hen whose black skin and beauty seldom make it a choice for cooking, I want to raise questions around speciesism and racism through my cooking.

I prepare this dish through a mixture of traditions bringing the Québécois recipe together with my Moroccan background to create a unique expression of this rotisserie meal. By selecting as many regional products as possible, I also give thanks to this welcoming land that is Québec and the riches it has to offer. These include some foods that were long used by the Indigenous People of this unceded Atikamekw territory (Nitaskinan) but forgotten in our modern cuisine. These complex and distinctive flavors here find their expression in the traditional Québécois dish.

Growing up in a multicultural household in Canada exposed me to diverse cuisines, fostering a deep appreciation for Canada's melting pot of cultures. My dish draws inspiration from my favourite childhood dishes, Cantonese braised pork and abalone, and Vietnamese Banh Mi, combined with my time spent in some of Canada's top restaurants, I crafted a dish merging Chinese, European, and Vietnamese flavours. I believe that this fusion embodies Canada's cultural richness on a plate.

I want to combine my styrian heritage, austrian seasonal products, french cuisine and an asian touch.

Venison, in my opinion, is the most sustainable, eco-friendly, healthy and regional meat that exists. It grows and lives sustainably in the wild, foraging naturally in the austrian forest and it´s entirely free from medication and antibiotics.

Through this dish, I want to express the meeting of Mexico and Germany, two places that have shaped my journey as a chef. Through white asparagus, hoja santa, Mexican pumpkin seeds, corn and mustard, I portray a shared field where tradition, identity and nature coexist. “Dos Mundos, Un Campo” speaks of growth, cultural exchange and respect for ingredients, showing how different roots can come together to create something new without losing their essence.

Tikka Masala - a dish that started my culinary journey. It captivated me as a chef's apprentice with its layers of flavor, the first dish I mastered and the one that won my wife's heart, as the first dish I cooked for her. For this competition, I present it in two ways: whole, to enjoy it fully with all flavours present. But alongside it, a deconstructed version with all elements still present and polished, presented to highlight its individual mastery.

My cuisine celebrates the dialogue between terroir and travel. I prioritize French ingredients sourced from local producers, while imported products are used only to enhance these local treasures. Through this plant-based dish, I aim to show that vegetables can be both flavorful and deeply satisfying. Celeriac is used in its entirety, elevated by farmhouse miso and tonka bean. The satellite offers a complementary interpretation through different textures and expressions.

I see cuisine as a means of transmission. It brings pleasure while questioning our relationship with living things. This dish embodies that belief. The Grise du Vercors, a breed preserved from standardisation, is used in its entirety. Guided by phronesis, I seek thoughtful choices rooted in its terroir. Each element conveys a simple idea: value lies in what we choose to preserve, despite time and constraints.

My dish resembles how climate change has affected the planet, both land and sea in the Mediterranean Regions. It’s a pescatarian dish, a combination of the French culture where I live now and the culture of Cyprus where I come from. We, as the new generation of chefs must enlighten ourselves and teach people wisely through our cooking how climate change has affected us, the nature and all the species of the planet and how to start respecting nature and her resources.

This dish symbolizes the respect and love that I have to the culture that gave me all the techniques and knowledge that I have today; always adding my little personal touch from Mexico. It is a plate with different elaborations, techniques, flavors, traditions and creativity. It truly shows the kind of chef I have become. Besides it was thought with the philosophy of circular cooking and sustainability. In the future I want to be an example to all the future women entering the gastronomic world.

Through this dish, I want to reflect the ecosystem that shapes us. Madrid, a city without a sea, is built through the constant exchange of people, cultures and ideas. Inspired by this, each element of the dish interacts with the others through colour, texture and flavour, creating a living system in balance. By using the fish in its entirety and combining diverse influences, I aim to express how connection, respect and collaboration can shape a more meaningful future for gastronomy.

The dish represents my whole essence as a cook and as a person. It evokes my Italian-Granadian roots. It is a journey through the 5 senses that reflects my culinary maturity learned so far. At the same time, it aims to show diners the values that represent my cuisine. Love for the profession, respect for the raw material and sustainability with the environment.

The dish is the result of a creative process that gives new life to discarded glass fragments, reassembled in a symphony of transparent shapes and colours. The artichoke becomes the protagonist, accompanied by fleshy elements that enhance its intensity without overpowering it, here the meat accompanies the vegetables, not the other way around. A zero-waste vision, this applies to materials as much as to food. The ferrosity of the heart accompanied by the butter mousse complete the artichoke's honesty and freshness.

Through this dish, I want to convey the value of wholeness. Every part of the albacore tuna is celebrated: the Wellington highlights its finest cut, while Roman-style tripe and liver pâté give dignity to parts that are often discarded. The carrot, also used in its entirety, reinforces a message of respect, culinary memory and the mindful transformation of ingredients.

This is a vegetarian reinterpretation of a very famous and loved dish of my territory which is beef in oil.
I believe that vegetables should be increasingly included in the menus of our restaurants to try to make people understand that vegetables can also be prepared in a tasty and particular way, and it will certainly be, in my opinion, the future of nutrition.
I would like the vegetable to become the protagonist with this dish as if it were a piece of meat.

This dish reflects my past, present and future as a chef. Lamb takes centre stage because it was the first animal I learned to break down in its entirety, teaching me to respect every ingredient and make full use of it. It represents my present through honest, unpretentious cooking. Japanese techniques and ingredients reflect the cultural influences that continue to transform me, while the envuelto symbolises roots and memory. Together, these elements express my vision of a coherent cuisine with a strong identity.

It’s a celebration of the plantain plant itself, all of it.
Plantain has always been the base of our nutrition. The most productive plant of the country and it’s never been seen as such.
After every ton of plantain consumed, 2 tons of waste are left, because of how little use its other parts. Due to the Chinese and afrocaribbean influence in our gastronomy (and in my heritage), plantain takes 3 forms in my dish: a bread (for the plantain was called bread for the poor) a a siumae, and a tamal.

The hen is the base of one of our emblematic typical dishes: the sancocho, a soup that is eaten at any time and on any occasion, it is cooked in firewood causing the soup to have smoky notes. It was with this idea that this dish was born, as I was curious about how to use the little parts of it, such as the neck, how the food ferments inside the gizzard and how through the use of one hundred per cent of the ingredients.

Word of umami in Chinese is combined with fish and lamb,so in China we have a famous dish called yuyangxian,using fish and lamb to make soup.To represent this dish and showing the skills i’ve learnt from different style of cuisine(especially French&Italian), i made this dish in 3parts by using local lamb and golden loofah of my hometown Chongming island.Presentation comes from the memory of childhood that my dad bring me to catch fishes in river and have picnic near the place sheeps live.

Nature selflessly sustains all things. Cuisine should also be all encompassing – discover China’s local sea habitat and combine different techniques. To realize the borderless-ness and all-encompass-ness of cuisine. Just as the sea is vast and embraces all streams. Three pillars as one. With the ocean, time and the sun as the axis, extending their reach.

Begin with a thousand-layer potato prawn dumpling amuse bouche inspired by the traditional renowned dish Longjing Shrimp. For this dish, Zhoushan prawn, known for its quality comparable to Spanish Carabinero prawn, is paired with white konbu flavoured konbucha and fried moss, and is, unintentionally, a representation of local Chinese culture of enjoying morning tea.
 

For me, the meat of the turbot fish is tender and not fishy, and it often appears on every household's dining table. The common cooking methods include steaming, braising, pan-frying, and more. Although it is a very common fish, I want to try to create a unique experience based on my own understanding. Furthermore, it seems that the concept of "numbing and spicy" is not widely known internationally. I hope to introduce the concept and let more people understand the charm of Chinese cuisine and the unique flavors it offers

Living on the Swedish west coast of course I love to work with anything from the sea next to me, something that is getting harder to do! The amount of fish in the sea is decreasing due to overfishing and the sea environment is getting destroyed due to questionable fishing methods. With my dish i like to showcase the fantastic and sustainable produce that we have in form of halibut farmed by sterling and cagecaught langoustine and how to enhance them with flavours from all around the world.

We are taught that sacrifice is the only way to perfection, that the expense of people is a normal part of being a chef. That the best produce is from the other part of the world and that waste is an exception for fine dining. I believe that sustainability contains so much more than just local vegetables. Its also about leadership, a good working environment and treating ourselves with respect. Respect the people, respect the produce, respect the process. Respect the world.

Cod on a Journey reflects my path as a chef. Rooted in Slovenian tradition yet driven by curiosity, I explore new cultures, techniques, and cuisines while respecting ingredients in their entirety. My dish is influenced by my belief in a head-to-tail approach. Through Slovenia, my heritage, Japan and Spain, a wish for my future, and Denmark, my present, I showcase every part of the cod, a dish that celebrates heritage, learning, and the journey that continues to shape me as a cook.

I was born and raised in Sichuan, China. With my professional training from Le Cordon Bleu in Australia, I found Australia can be a bridge of combination of two completely different flavours and cultures. I have considered South Australia as my second home, and I love the wide range of fresh ingredients and indigenous products. I want to bring the authentic Sichuanese flavour to South Australia and create my own food style inspired by modern western cuisine in the short future.

Growing up in New Zealand shaped my respect for seafood and the ocean. Inspired by the cultural significance of pāua and the values of stewardship that underpin New Zealand's coastal identity, this dish celebrates lobster and abalone in their fullest expression. Through classical technique and whole-animal utilisation, from sauce Américaine made from the shells to the pāua liver xo. I want to honour both the ingredient and the place that shaped me.

My yakitori is a unique take on the classic Japanese dish, combining traditional flavours with Italian and Australian elements and techniques, delivering a dish that is at once familiar, but unique in taste and texture.
Rather than a traditional yakitori sauce, I cured the egg yolk using colatura di alici, before using the latter to create a gel balanced with dashi that has a unique umami flavour.
My yuzukosho draws on fermented jalapeño for a complex umami flavour, lime zest, juice.

‘Aljotta’ is a traditional Maltese tomato-based fish broth soup. My dish comprises of homely traditional flavours, in part with a little twist and in the other a more technical and modern to it. The importance is ultimately the flavour of the original ‘Aljotta’; as to impart my childhood memory of my first fishing boat trip, which also was the first time eating the soup. It is also a small taste of Malta, our history and the deliciousness in the simplicity of our cooking.

In a world of abundance, we need to look at a more nursing future. Sourcing ingredients has become paralysing for our planet. Due to over-fishing and over breeding, there is a big impact on the bee lives that provide us reproduction, which is necessary for our lives. In my dish, I combined sustainable farmed sea bass, free range pork and ecofriendly bee products from our little country. The dish shows how important sustainability is and also how the elements of nature are and can be connected.

I discovered my passion for food at an early age while watching my mother create meals . Seeing how much enthusiasm you can put in to each dish drew me in. A local favorite is the Octopus. Coming from a small island in the mediterranean reminds me of how grateful we should be for finding fresh local produce. A main ingredient that i kept constantly on my menu. It reminds me of my childhood when my mum used to slow cook it for a Sunday lunch.

Growing up in a Mangalorean Catholic family in Mumbai, Sundays meant sorpotel simmering in my mother Veronica’s kitchen, surrounded by music, laughter, and family. Inspired by our post-church breakfasts, this dish reimagines those memories through pork, dosa, balchão, poa, and sambar — a tribute to my heritage, childhood, and the woman who shaped my love for food.

Scallops & samphire are the flavour of the galette I was eating as a kid on Brittany's coast when my family was going to a "crêperie", this is why I have chosen 3 major ingredients: scallops beautiful seafood from Scotland (where I am living), samphire foraged along Scottish coast, and buckwheat reminder of the "galette de blé noir" dish of my childhood. Also by using the entirety of the scallops through the dish I want to express the importance of going toward a zero waste way of cooking.

I want to showcase everything i have learnt as a chef so far. I think doing a classical dish like this is unique and modern and really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come.

Three Shores, One Table tells the story of the cultures that shaped my identity as a chef. Born and raised in Maracay, Venezuela, with Italian heritage and professionally developed in Miami, I use lamb as a thread connecting memory, tradition, and evolution. Through three complementary preparations, the dish explores how different culinary traditions can coexist, creating new expressions while honoring their origins. It reflects who I am today and the chef I aspire to become: one who builds bridges.

By celebrating the products and cuisine of the Chesapeake Bay I hope to generate interest in its preservation. Oysters in particular are an iconic Chesapeake Bay species that have been decimated, like many other native populations, by habitat loss, poor water quality and harvest pressure. The modern Chesapeake pantry must reflect current sustainable harvests and farmed oysters exemplify this expectation. Chesapeake chefs must adopt this pantry to maintain the watershed's rich culinary tradition.

I see the future of cooking as an act of respect for those around you. Care and community are often lost now, but amongst chefs, it will never cease. I believe my role as a chef is to cook honestly, respect the integrity of the ingredient and to share the joy of cooking with as many people as I can. This dish draws inspiration from all that have given me the gift of knowledge, nostalgia and practice. With this dish I hope to honor those gifts and create new experiences as such for others.

With this dish I actually want to transfer all my passion and love to the detail. From the first step to the last arrangement of the flower. How many thoughts have gone into this dish. How to use everything from an animal. How I can best transmit my emotions to the guest. The filigree and delicacy of the dish. But in the end it's the taste that counts, that's my priority. I also want to be able to stand behind it 100 percent and I want to tell myself, that I can't do it better at the moment.

With this dish, I want to express the use of poor and reusable raw materials, I have used tripe which is a popular product par excellence, bitter herbs have a very low environmental impact, and roots have always been the sustenance food of the poor.

With this dish, I want to convey much more than just a culinary experience: I want to pass on a story of commitment to ecology and sustainable development. For me, Neirivue trout, caught in the pristine waters of the Gruyère region, embodies the tradition and quality that nature has to offer. By choosing to work with this local fish, I am committed to respecting and preserving our environment. The fresh, fragrant herbs from the Mossettes garden are at the heart of it all.