Regional Finalists 2022-23

Through this dish, I want to convey the wonderful ingredients and food culture of Japan.
We also thought about garnishing the dish with shiso leaves and myoga, which are commonly used in Japan, and adding the aroma of sea bream skin chips and grilled green onions so that the dish would not become boring in terms of texture and flavor.
We also believe that the soup's consistency can be made easier to mix with rice and sea bream by using rice starch or by adding a little density to the soup.

My Dish, from a village by Kerala's backwaters, is inspired by where the historic spice route shaped our rich cultural heritage. I aim to BREAK THE SHELLS of outdated mud crab cooking methods, moving beyond traditional curries. I believe every part of the crab can be utilised wisely akin to other types of meat. My signature dish combines my grandmother's traditional flavour with innovative, sustainable twists inspired by my culinary travels in Southeast Asia, highlighting Kerala ingredients.

This dish played a very important role in my life. I took inspiration from the dish Steamed Grouper. We would have this dish every Sunday with my family. This dish is an inspiration to keep me being grounded as a Chef to have a dish so simple but so complex. To remember that food doesn't need to be complicated to taste good and food is always meant to be shared. My dish is a showcase of what I have learned with my experiences without forgetting my Culture and upbringing as a Filipino-Chinese.

Receiving whole deer every fortnight, I noticed that the unused offal was being wasted. So I decided to put them to good use in a dish to raise awareness of food waste. My aim is to promote responsible and sustainable cooking, reflecting my passion for gastronomy and my values of respect for natural resources.

In the kitchen, we throw away the unloved and unsaleable offal of lamb. Stunned by this vision of non-valuation, I wanted to honor it. I drew inspiration from the wild northern Canadian landscape that became my home 9 years ago, and from the terroir of my native southwest France, which brings back warm memories. With my dish, I want to enhance the value of this country-style cuisine, with a modern twist that's both technically raw and delicate, to give offal back its nobility.

This dish, in a nutshell, represents who I am. Not only are all the main ingredients sourced from directly here in Canada, but also the techniques used I learned (and tweaked) from all the most important restaurants I have worked. It takes humble ingredients like duck and corn and elevates them to a new level of luxury. Lastly it attempts to blur the lines between savoury and sweet dishes with the use of popcorn and shortbread. Its an artful and fun representation of who I am as a chef.

Tikka Masala - a dish that started my culinary journey. It captivated me as a chef's apprentice with its layers of flavor, the first dish I mastered and the one that won my wife's heart, as the first dish I cooked for her. For this competition, I present it in two ways: whole, to enjoy it fully with all flavours present. But alongside it, a deconstructed version with all elements still present and polished, presented to highlight its individual mastery.

With my dish I wanted to share my roots, the ingredients that I took for it are using daily in my country, and they are not expensive but when you take the time and the correct way to cook them you can create something incredible and delicious. I wanted to proof that our tradition and our Gastronomie has so much to offer and now is the time to bring it in the next level without to forget the Origin of the typical food.

My dish should represent the northern Waldviertel and the history of my family. The idea for my signature dish was born in my head from childhood flavours. But I also want to use it to show sustainability and make a statement that you can still cook an interesting style of cuisine using classic techniques.

This dish gives nobility to the sturgeon by placing it at the centre of the plate, with the caviar playing a secondary role as an accompaniment. I love the idea of pairing the fish with the highly prized egg it produces. Born to two young parents, I grew up between Sologne and Provence; by combining the flavours of Douglass, pine kernels and artichokes, as well as remembering the tian my grandmother used to prepare for me and my love of freshwater fish, I'm showing my origins.

I have to say that this dish means a lot to me, as part of my family works in livestock farming. As on most farms, they grow their own vegetables in a family garden, respecting the rhythm of the seasons. And the season of the chard coincides with the arrival of the fir buds, with their distinctive fragrance, which I have come to enjoy on my walks through the forests of the Pyrenees. It was to express my emotions in taste that I chose to naturally combine these two products.

As am from a small island called Mauritius surrounded by the Indian ocean, known for its beaches, lagoons and reefs so we consumed more seafood. So by selecting this as my signature dish I am reviving my childhood because I spent most of my early age on the coast fishing and my passion for seafood as I love the smell of the bitter and salty sea water.As the idea of this plate base on sea, in each bite of this dish or side dish you will find different taste sea.

500 characters are less than I imagined so I'm retyping everything and trying to be shorter I want to say with this dish that "tutto il mondo è paese" because from an idea of an italian dish (risotto ai frutti di mare), using spanish and mexican products and preparation I'm making a dish that is present in a different way in the three countries (arroz a la tumbada in mexico and paella de mariscos in spain).
As well I choose to use bivalves and seaweed because they are sustainable products.

Sustainability is a word lost in intentions. We believe that to be really sustainable we can’t only focus on our restaurant, instead we also focus in our community, our Artisans and in our region. With Sustainable Construction, Regenerative Farming and Resource Management we aren’t only regenerating this land but also this community that was long lost and forgotten. We commune all of this in an innovative way to create a unique dish where we represent all of our work.

The dish represents my whole essence as a cook and as a person. It evokes my Italian-Granadian roots. It is a journey through the 5 senses that reflects my culinary maturity learned so far. At the same time, it aims to show diners the values that represent my cuisine. Love for the profession, respect for the raw material and sustainability with the environment.

The concept of territory is an important thing when I think about creating a dish. I owe a lot to Tuscany, so I chose the Casentino trout. We are talking about a unique specimen bred in Stia, in the province of Arezzo, where "Puccini Trout Farming" allowed me to experience first-hand one of the most interesting products found so far. A fish that struck me so much that I really wanted to pay homage to it in all its facets, using every part of it in the name of sustainability and reducing waste.

Migration and Integration
Arriving in a new place is not always easy and even more so it is not easy to integrate and be accepted with your traditions by people with a culture different from yours. The African slaves in Peru in 1800 were able to integrate their spices and traditions to a very important dish in the Inca culture such as the carapulcra.With this dish I want to tell my journey, playing with techniques, shapes and colors to propose the flavors of my land with an Italian twist.

My journey starts with sweetbread, a beloved traditional dish from my homeland, often used in my professional experience. The “in carpione” pumpkin is prepared like Lake Garda fish. The langoustine is leveraged in its entirety, as the head is filled by an orangette and sided by a coconut milk-based drink that enhances its minerality. I designed this 3D-printed compostable set, which evokes the sweetbread with its texture, to raise the commensal’s awareness on the consuming of raw material.

Through this dish I express my trajectory and the way I created my personality in the kitchen. It has elements from different countries and experiences that have formed me as a chef. It contains elements from Mexico and Panama, because of my nationality, from Italy by virtue of my descent and gastronomic formation and from Japan after the passion I’ve acquired over Japanese cuisine due to my current job. The fusion of them all create a mix of flavors and techniques that represent me.

In my childhood, my grandparents used to have Sunday family lunches and the dish I remember the most is the tongue in sauce, served with onion and coconut sauce. In my village we always accompanied the main course with bananas, even soups. That's why my interpretation was inspired by these Sundays with the family. I believe in local products and tradition, raising the level of the products of my village with modern techniques without losing the traditional flavour.

Give a tribute to Arequipa's Picanterias, Picanterias are places of traditions, good food since the end of the 19th century. Show a bit of the diversity of my country, also let you know ancestral techniques unified with an avant-garde techniques, which the main objective is to give a good experience.

The inspiration for this dish came from my hometown: Ningbo, Zhejiang. There is a dish in Ningbo, Zhejiang Province called Stir-Fried Rice Cake and White Crab. The white rice cake on the plate is the original slice of rice cake with ginger oil brushed on it. Under the white rice cake are crab meat, chive, tarragon, crab paste egg meringue, and white crab bisque. The snack in the upper left corner is another dish inspired by hometown: bean curd skin-wrapped yellow croaker. I replaced the yellow croaker with crab legs and sprinkled the tomato puree powder from the Bisque making process. This dish is from my hometown, but it is presented in a way that is not traditional. I believe this presentation method can be accepted by more people.

I once read an interview stating that food waste is a fatal flaw in fine dining restaurants. Many ingredients, from purchase to plating, end up being only 50%-70% of their original quantity, with an average of 30% of ingredients being wasted. However, sustainable development is a social responsibility and obligation that we, as the new generation of young chefs, must undertake. At this moment, I utilize various cooking techniques to fully utilize ingredients and minimize waste, aiming to convey my thoughts on sustainable development as a young chef.

Nature is almighty, and ecological systems require balance, this symbiosis the only way to survive, so I had the inspiration to use “Coexistence” as my theme.

This inspiration stemmed from the traditional Chinese character “Xian” (meaning freshness, which is made up of the Chinese character for “fish” and the Chinese character for “lamb” ).
I use a commonly found but not ordinary big head carp fish head from the freezing regions of the Northeast. Due to the cold weather, the big head carp is fatty and has a wonderful texture. The fish head is the best part and rich in collagen, it is the soul of the produce. This I combined with the delicacy of the grasslands, the tender lamb, and the traditional fried snack “You Dun Zi”; onion crisp, caviar, asparagus lettuce, and powdered dill adds texture and flavor.
Where it matters, ingredients that reflect their geographical and natural habitat are used and through my understanding, creativity, innovation and using each ingredients to its fullest.

 

Denmark is the number one country of producing meat averaging 334 kg per person per year. However, as Denmark increasingly focuses on green energy and combating climate change, reducing the consumption of mass-produced meat becomes essential to lower the CO2 index. Through my dish I want to contribute to this change and adapt to a more sustainable future.

We are a modern Spanish restaurant and this dish is my interpretation of the gamba al ajillo.

Traditionally, the prawns are often fried, but that is at the expense of the prawns. I think it's important that everything of a product is used. No unnecessary waste. In our version we use the whole shrimp.

This dish has everything I like. Crustaceans are my favorite product. Acids from the lemon and crispy from the kaitafi.

This dish represents how we can use different parts of one protein source and combine this with Estonian wine. I am also using lingonberry and moss from Estonia, it is hand picked from the forest near where i work every day.

Through this dish, I aim to express the elegance and complexity of Australian gourmet cuisine. The combination of duck, plums, and Australian black truffles showcases the country's rich agricultural diversity and culinary potential. The dish pays homage to my grandfather's farm and Australia's ability to produce high-quality, luxury ingredients and its growing reputation in the global gourmet scene.

It’s been three years, that I have seen my family due to the pandemic, three years since I've been to my ancestral home in ‘Aurangabad’, a city with a high Muslim population. The very place where I truly appreciated the true diversity of my cuisine and culture.
This dish is an amalgamation of my childhood, my roots and the vision I have to see my cuisine on the global stage amidst all its diverse and colorful glory. Where people do not just tag it as a “curry cuisine” but see it for what it is

I was born and raised in Sichuan, China. With my professional training from Le Cordon Bleu in Australia, I found Australia can be a bridge of combination of two completely different flavours and cultures. I have considered South Australia as my second home, and I love the wide range of fresh ingredients and indigenous products. I want to bring the authentic Sichuanese flavour to South Australia and create my own food style inspired by modern western cuisine in the short future.

‘Aljotta’ is a traditional Maltese tomato-based fish broth soup. My dish comprises of homely traditional flavours, in part with a little twist and in the other a more technical and modern to it. The importance is ultimately the flavour of the original ‘Aljotta’; as to impart my childhood memory of my first fishing boat trip, which also was the first time eating the soup. It is also a small taste of Malta, our history and the deliciousness in the simplicity of our cooking.

My dish is a tribute to the culinary traditions of eastern Poland. I sourced the sturgeon and caviar from the renowned Antonius brand in a neighboring village. The inspiration for the Masurian floral lace in my recipe comes from my grandmother, a talented embroiderer. My dish also features ferments, deeply rooted in Polish tradition. Accompanying beverage is enjoyed in my home on hot days. I aim to showcase the best of Polish cuisine: good products, respect for tradition, and an open-mindedness.

The day Slovenia proclaimed its independence the Linden tree was planted in front of the National Assembly building, since then it became our symbol for freedom. Brown trout is the most common fish of our rivers and this dish is the love song to Slovenia. I used only trout, linden in different ways, salt, and honey to prove you can make a dish with minimum carbon footprint, humble and basic ingredients but has a complex flavor profile. Whole dish is served on a set of fallen local linden tree.

A Chef is someone able to forge a connection between times and who can intertwine the strings of time to create something beautiful. Food is central to our sense of identity. The way any given human group eats helps it assert its diversity, hierarchy and organisation, but also, at the same time, both its oneness and the otherness of whoever eats differently. I wanted to create a dish that reflects my background who couldn't think i would love pigeon.

The chosen fish for this dish is halibut, a firm fish with an oily texture. I have made a special sauce called fish caramel made from halibut bones with a good amount of sauce and nice creamy cauliflower puree with vanilla, blended until smooth. The lemon gel next to it gives a nice acidity for freshness in the dish. Along side we have New Zealand mussels grilled with butter halibut cheeks tartare with kohlrobi and fried kohlrobi leaves. Simple and tasty to enjoy!

I want to focus on traditional Rajasthani hunter-style cooking by showcasing grains, vegetables of the region. It reflects the time when kings used to go out hunting for weeks, they would carry minimal spices and grain and they would cook the hunted animal in the pit. My dish is surrounded by that idea but with my execution.

Through this dish, I'd like to show that brazilian ingredients are unique and amazing just as much as from any other part of the world. Since starting my career outside of my country as a immigrant, I've received a lot of comments ''what is the food like in Brazil?'', and I can confirm that for being a ''3rd world country'', many times our food culture is left behind and not taken as seriously as other cultures. Our potential is huge and I'd like to show that to the world.

My dish is a homage to my mom. Being an immigrant, my mom has faced a lot of obstacles with my grandma (mee-maw), but the first time they were able to bond was through growing potatoes of all things. Now, every couple of potatoes are filled with the same excitement as that day she shared digging them up with my mee-maw. This dish is a portrayal of my mom’s garden with a mix of Filipino and American flavors, with hints of the chickens that try to pluck her harvest before fruition.

The pairings of squid & date and oyster tofu & bone expresses a yearning for a unified Korea. My father's family was forced from their home north of the 38th parallel to escape invading communist forces during the war. They arrived in the southern port city of Busan as strangers in their own land. This dish aims to harmonize the flavors of our ancestral home in the north of Korea with the textures and ingredients of the south in efforts to to tell our family's story and chart our migration.

When I started to create this dish a lot of people told me not to do it because it contains too much work.
So this explains my stubbornness and love for the work. The sweet potato also became my personal logo.

I want to express that you can make things very complex without a million technics. sometimes a pure product has his own complexities.

“Encouragement” is the theme of my dish, where ingredients, methods and cooking processes reflect the people, who at first glance might seem to be the simplest ones, those hidden behind the scenes. As in life itself, sometimes those elements need a little push to get them on stage, making them realize that they too can reach its fullest explendore.

With this first course I wanted to create a link between land and sea, revisiting a typical preparation of my country, the porchetta. I am a lover of the sea and I wanted to make a preparation that combines the two in a modern way. Combining these also with pasta, it can never be missing in an Italian lunch. Tradition and innovation come together respecting the raw material.