Regional Finalists 2022-23

What I would like to express through this dish is Thai culture, is blended with French because I want to bring Thai food that people eat every day to make it look more exotic and delicious. mixed with the French cuisine that I'm working on.

This dish played a very important role in my life. I took inspiration from the dish Steamed Grouper. We would have this dish every Sunday with my family. This dish is an inspiration to keep me being grounded as a Chef to have a dish so simple but so complex. To remember that food doesn't need to be complicated to taste good and food is always meant to be shared. My dish is a showcase of what I have learned with my experiences without forgetting my Culture and upbringing as a Filipino-Chinese.

"Miso-marinated" Omi beef and "heshiko," aged fish, have a history of hundreds of years in my hometown. I added the traditional French "hollandaise sauce" and "cherries condiment" to create a new dish. The cherries harmonize the traditional cuisine of both countries. However, if climate change continues, cherries will no longer be available in the future. This shows that while historic dishes can evolve, there is a future where foods may no longer exist.

I am originally from China, my cooking philosophy is using French, Italian, and Japanese technique to showcase Chinese favor, modern Chinese food. In Chinese Sichuan cuisine, we will use rabbit as one of the main proteins. One of the most popular dishes in Sichuan cuisine is stir fry rabbit with Sichuan pepper and peanuts. I am using French technique to wrap rabbit meat, Chinese sausage, foie gras to make rabbit ballotine.

This dish is an homage to my personal culinary journey. Being of Chinese Filipino decent, this dish is a culmination of the influence other countries have had on Filipino cuisine. I want to use this opportunity to showcase a beautiful bird sourced locally from Ontario,while flaunting a contemporary version of a classic dish replacing the pork. I’d like to think of myself like this Sinigang dish, a pinnacle of different influences and techniques I've learned from the different Chefs in my career.

Vegan food, through methodology and expertise, belongs on the world stage. Vegetables can be a complete substitute for any animal product. Vegan forward diets reduce factory farming practices, and when we eat meat, we should source local and ethically raised products.
Fallon recognized the harsh realities of raising cattle. She realized cultivating mushrooms was the way of the future. These are generational farmers who shifted their focus for the environment, their courage deserves recognition.

I would like to show that we can eat less meat and fish and eat more vegan or vegetarian.
You can get so many nice flavours and combinations that we can all eat less animals but still get the feeling to have eaten something special

With my dish I wanted to share my roots, the ingredients that I took for it are using daily in my country, and they are not expensive but when you take the time and the correct way to cook them you can create something incredible and delicious. I wanted to proof that our tradition and our Gastronomie has so much to offer and now is the time to bring it in the next level without to forget the Origin of the typical food.

Seasonality and regionality play a fundamental role for me when creating my dishes.
Going through the world with open eyes, seeing what nature has to offer, helps me tremendously when creating new dishes.
I want to know where my products come from and how I can use the conditions of my environment for my dishes. Products should find their way onto a plate when they are available on the market in the best quality it can offer. The goal should always be to use the full potential of all products.

My dish resembles how climate change has affected the planet, both land and sea in the Mediterranean Regions. It’s a pescatarian dish, a combination of the French culture where I live now and the culture of Cyprus where I come from. We, as the new generation of chefs must enlighten ourselves and teach people wisely through our cooking how climate change has affected us, the nature and all the species of the planet and how to start respecting nature and her resources.

‘Quanto sei bella Roma’ is a tribute to my hometown, Rome. The title comes from a famous song about this city that for me is the most beautiful in the world. I left Rome about 10 years ago to grow personally and professionally, but my heart will always belong to it and I am happy to represent it with a dish in such an important competition. It is a traditional recipe that my grandmother used to prepare for me (Coda alla vaccinara) and which I propose in my own way, gastronomically speaking.

I’d like through this creation to express the ambivalence which exists in our «industry». Chef, sommelier,etc, all those occupations can give the image of a certain negativity : physically rude, mentally charged, long hours, fatigue, everyday issues… But once you go over those darks elements, then you discover a world full of color and freshness, sensitivity, solidarity, passion, creativity. With one very important commun duty : bringing happiness to people.
 

From head to toe. That's what came to my mind when I decided that my dish should be mainly pork. Pork is a product that shows us that everything can be used and that nothing should be wasted. At the same time, most pork-based preparations require long cooking times and the patience that goes with it. For me, making the most of time and time are the indisputable pillars of any kitchen, and that is where this dish I am presenting has come from.

The dish represents my whole essence as a cook and as a person. It evokes my Italian-Granadian roots. It is a journey through the 5 senses that reflects my culinary maturity learned so far. At the same time, it aims to show diners the values that represent my cuisine. Love for the profession, respect for the raw material and sustainability with the environment.

This dish combines different flavors, textures and techniques. It's main objetive is to show the combination of duck breast with an oriental sauce, fresh vegetables and the crunchy almonds. The idea is to create a fusion between the different elaborations.

This dish revolves around the use of the main part of the ingredients and those of “ scrap “ , nothing is thrown away, rather at the end of each preparation what’s left is used as a base for another recipe. This is to raise consciousness of the Chef on food waste and consequently on the human resources used for the production of raw ingredients.

What makes a species local, indigenous, alien, invasive, naturalized, or imported to a specific ecology ?How do species, including humans, root in places they are not originally from? I reflect about an invasive specie, the blu crab that over-populates the Lagoon. Reminding us about the colonial history that brought corn from the Americas, I considered the meaning of becoming “naturalized” to local ecologies. I complete by using spontaneous plants that reconnects to the tidal of Venice, halophytes.

My "Ossi di seppia" draws inspiration from Montale's work, where bones, wandering among the waves and seemingly worthless, symbolize a miserable yet significant existential condition. Like the small things in daily life, they conceal intrinsic value and beauty. By using every part of the cuttlefish, even those considered scraps, I aim to showcase their importance and convey the significance of circular cooking to reduce waste and valorise each ingredient.

I’m very passionate about gastronomy; my country, its people, and its ingredients bring out the flavors, in each one, of my dishes. Self-expression, for me, comes with every texture, color, and form of each detail. I recognize the importance of my surroundings, my community, and the products distinguished by their performance within sustainability guidelines. I have the responsibility to share with diners the richness, tradition, and culture that Mexican cuisine offers.
I am proud of Mexico.

The dish I have thought of is a reversion of the Christmas dish that is always eaten in my house and all over Venezuela, as it represents my first experiences with the palate. I decided to fuse Venezuelan and Argentinean gastronomy, due to my migration to Argentina when I was young, I also included Asian flavours and products from Mendoza, as they reflect all the experience I have had in the last years of my life. This dish mixes my origins, the history of my life and my passions.

Chile, a narrow strip with more than six thousand kilometres of coastline, is in the south of the world. Every dish reflects the uniqueness of a country where water is essential, from the mountains to the sea. The biodiversity is influenced by the Humboldt Current. My dish, ‘Cordillera, Valle y Pacífico’, combines goat cheese from Cajón del Maipo, chascudo, mote and conger eel with mushrooms. Inspired by my childhood and the tradition of my grandparents, I dedicate this dish to Victor and Ana.

China is a country with vast territory and abundant resources, and each region has its own special ingredients. This dish uses the loin of Tan sheep originally from Ningxia, which like to lick salt in the Gobi Desert.

Pickled with Sichuan pepper and spices for oil seal, with yunnan spring and summer wild bacteria made of wild cheese, fermented corn is more delicious, sweet and delicious, showing the style of Chinese wilderness.

The whole dish is like a tan sheep from the Gobi Desert, placed in the Yunnan mountains rich in wild bacteria. Corn plays the role of pastoral scarecrow, paired with western dishes and mints and herbs associated with Yunnan's native eatery habits.
 

There are many ways to cook chicken in Guangzhou, and as the saying goes: “It is not a feast if you don’t have chicken”. This dish is originally a Cantonese-style crispy roast chicken. Chicken dries out easily because of its low fat content, and traditional methods of roasting or frying at high temperature are not healthy enough, so I use modern low-temperature slow-cooking cooking methods to process traditionally marinated chicken. This resulting chicken is not only tender and juicy, but also nutritious and healthy.

The chicken is stuffed with sweet pea paste and shrimp paste. This is a technique called "stuffing" in Chinese cuisine. One or several ingredients are made into puree and filled with another ingredient. During the heating process, the flavors of various ingredients integrate yet retain their own characteristics. The sweetness of the sweet pea puree and the saltiness of the shrimp bring a fuller taste experience to the chicken. I reduce the use of condiments, and unique original flavor of the ingredients themselves become more memorable.
 

This dish is inspired by my journey across China, from Kashgar to Hami in Xinjiang China, where I gathered inspiration from what I saw, heard, and experienced. It incorporates a variety of Xinjiang ingredients and cooking techniques, expressing my love for the region. I used the spice rub from Xinjiang's traditional whole roasted lamb to slow-cook the Xinjiang Altay lamb eye meat over charcoal, resulting in a flavorful dish.

This dish is inspired by our workplaces garden. Our own grown vegetables and salads combined with chefs knowledge creates Synergy. I would like to use this to entice you choose vegetarian options more often, I believe it’s beneficial for our health and also our environment.I I believe if we consume less meat it would be meaningful change for environment. Chosing locally produced food we decrease transport waist and reduce carbon footprint. Use local produce were possible. Less is more.

During my time spent at Faroe Islands I create this dish with one purpose, to make something Mexican inspired but allowing myself to do it only with local resources but still following the tradition of my culture, and way of cooking.

Adapting a classic street dish like “ceviche and tostadas” to a more defined and detailed idea with technique behind and a mix of ingredients from both cultures.

I think food on these days is about adapting, connecting and evolving like all humans.

With this dish, I want to show that worldly flavors can be achieved with products from our own country or region, promoting sustainability and supporting local farmers and suppliers. This dish is entirely based on vegetables and fruits, and contains no animal products. By doing this, we challenge ourselves and demonstrate that the same flavors can be achieved without using animal ingredients.

In New Zealand we have a large number of introduced pests like wild deer that damage our native flora and fauna. By using wild venison we can create an economy for conservation by giving a financial incentive for the pest control. Hunters can sell the meat and chefs can utilise a delicious clean natural protein in the kitchen. I want to show a way to use the whole animal by ulatising the offal & bones in an approachable way for customers. The more we sell creates more money for conservation.

It’s been three years, that I have seen my family due to the pandemic, three years since I've been to my ancestral home in ‘Aurangabad’, a city with a high Muslim population. The very place where I truly appreciated the true diversity of my cuisine and culture.
This dish is an amalgamation of my childhood, my roots and the vision I have to see my cuisine on the global stage amidst all its diverse and colorful glory. Where people do not just tag it as a “curry cuisine” but see it for what it is

The main purpose of this dish is to change the misconception that exists in some beef offal's, in this case "sweetbread", considered an exquisite treat in my country, Argentina, however not so pleasant in other cultures. Through childhood flavors I aim to encourage people to experience something different by creating a beautiful dish with colors that pique curiosity to try. And encourage sustainability by utilizing part of the cow that are often considered waste as sweetbread and tendons.

The day Slovenia proclaimed its independence the Linden tree was planted in front of the National Assembly building, since then it became our symbol for freedom. Brown trout is the most common fish of our rivers and this dish is the love song to Slovenia. I used only trout, linden in different ways, salt, and honey to prove you can make a dish with minimum carbon footprint, humble and basic ingredients but has a complex flavor profile. Whole dish is served on a set of fallen local linden tree.

Gastronomy and poetry are some of the most beautiful expressions that human beings have developed to communicate. Through creativity and innovation, they contribute to questioning in an ever-renewed way how we use culture, and our ways of perceiving and interpreting reality. I have valued this union through the concept of Haiku, poems of 3 verses that precisely talk about everyday life and nature, in a specific place and time.

I Choose this plate because I grew up in a small town next to the sea and the area is rich in fish. I remember that every week I saw my grandmother cook this type of fish with the most of ingredients are the same and I put my signature with my techniques to present you my childhood memories

I designed this dish as a homage to my wife and the restaurant we dream of opening which will fuse our two cultures together, NZ and SA, in a fine dining setting. I wanted to pay tribute to the lineage of bakers in my family by serving this dish with a bread, 1/2 Rewena, 1/2 Mosbollejtie, baked together to become one. I chose venison as it reminds me of fond childhood memories of hunting with my family, it's filled with a farce rolled in a South African boerewors spice to further weave our story.

It is my homage to one of the most iconic animals of a place which I now call home, the Scottish Highlands. I want to express my identity as a chef in this competition by using local and sustainable ingredients, showing respect for the animal by using everything I could. I wanted to showcase the techniques I have learnt in my short time in this industry, with butchery, pastry work and sauce making at the heart of the dish.

I want to showcase everything I have learnt as a chef so far. I think doing a classical dish like this is unique and modern. It really shows how different styles and cuisines have evolved. This really expresses how far food has come and how far i have come as a chef.

My intention was to use every piece of an often-overlooked ingredient, prepare it in a variety of ways, and build depth with fermented products. Leek hearts were steamed and marinated, more fibrous leaves were braised for pasta filling, inner leaves were made into a mousseline with leftover quail egg whites, the leek tops were made into an oil, a few leaves were fried to make leek hay, and the remaining scraps were made into an ash to color the pasta dough. Paired with miso, amazake, and shoyu

This dish represents my love for classic techniques and exploring new flavors while minimizing waste and creating a unique dining experience. I fell in love with Country Ham while living in Charleston, but we never had a good use for all the scraps. Substituting the Country Ham scraps for the more classic dried shrimp or scallops creates a slightly smokier XO that bridges Chinese cuisine and the American South, which is important to me- bridging gaps between cultures through food.

Food conscience and sustainability are more prevalent in our lives than ever before.
It is time to take action and look for more sustainable solutions.
My dish is a representation of sustainable ingredients, rich in nutrients, with a low water and carbon footprint, that may improve ocean water quality, rebuild coastal ecosystems, alleviate hunger and contribute to environmental revival at a low cost through ethical farming on a global scale.

When someone asks me, what my favorite thing to cook is, I always have to think. In my career I've worked at all stations in the kitchen and therefore I really like to do all kinds of food. I also wanted my dish to be challenge for me and also to be able to show most of my skills. That's why I created this dish. I can show different cooking methods of the parts of the pigeon, and my skills with doughs and vegetables. The whole dish was inspired by thinking about a pigeon in the forest.

I created these dishes by reminiscing about the morning's picking. The first thing we did in the restaurant before setting off to pick mushrooms was to drink our coffee. I made my first plate with mushrooms, coffee and chocolate, with a few crisps to remind us of our foraging trip. My second plate is to take you with me on a foraging trip, to walk in the forest and find all the things you can find in the woods.

This dish represents a combination of my view, love and upbringing with food. being thought french cuisine and working with locale produce, loving the purity of japanse food and having roots in indonesia. I strive for balance in flavours and combining the east with the west in unexpected ways. I like to think outside the box with produce without losing the story behind the dish.